Manche de canne en argent, email et jade. Faberge, Julius Rappoport.
Manche de canne en argent, email et jade. Faberge, Julius Rappoport.
Manche de canne en argent, email et jade. Faberge, Julius Rappoport.
Manche de canne en argent, email et jade. Faberge, Julius Rappoport.
Manche de canne en argent, email et jade. Faberge, Julius Rappoport.
Manche de canne en argent, email et jade. Faberge, Julius Rappoport.
Manche de canne en argent, email et jade. Faberge, Julius Rappoport.
Manche de canne en argent, email et jade. Faberge, Julius Rappoport.
Manche de canne en argent, email et jade. Faberge, Julius Rappoport.
Manche de canne en argent, email et jade. Faberge, Julius Rappoport.
Manche de canne en argent, email et jade. Faberge, Julius Rappoport.
Manche de canne en argent, email et jade. Faberge, Julius Rappoport.
Manche de canne en argent, email et jade. Faberge, Julius Rappoport.
Manche de canne en argent, email et jade. Faberge, Julius Rappoport.
Manche de canne en argent, email et jade. Faberge, Julius Rappoport.
Manche de canne en argent, email et jade. Faberge, Julius Rappoport.
Manche de canne en argent, email et jade. Faberge, Julius Rappoport.
Manche de canne en argent, email et jade. Faberge, Julius Rappoport.
Manche de canne en argent, email et jade. Faberge, Julius Rappoport.
Manche de canne en argent, email et jade. Faberge, Julius Rappoport.

Manche de canne en argent, email et jade. Faberge, Julius Rappoport.

ID-ANTQ-3761
12500 EUR
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Rare poignée de canne angulaire, réalisée à Saint-Pétersbourg entre 1899 et 1904 dans l’atelier de la maison Fabergé, fournisseur officiel de la cour impériale. Cette pièce a été exécutée par l’un des maîtres les plus éminents de la maison — Julius Rappoport, célèbre pour sa virtuosité dans le travail de l’argent.

La poignée est taillée dans une néphrite vert foncé, enlacée par une figurine de singe en argent moulé et ciselé. Le modelé de la sculpture est d’une grande finesse : la fourrure est rendue avec expressivité, et les traits du visage sont d’un réalisme frappant. Les yeux sont sertis de rubis taillés en cabochon.

La partie inférieure est décorée d’un émail rouge guilloché sur argent, encadré de feuilles de laurier ciselées. Un mécanisme vissé interne assure la fixation à la canne. La forme en angle est typique des accessoires de luxe du début du XXe siècle.

Poinçons : K. Fabergé sous le cachet impérial ; initiales I.P. (Julius Rappoport) ; titre 88 pour largent ; poinçon de Saint-Pétersbourg (1899–1904)

Dimensions : Hauteur — 9,5 cm ; Longueur — 8,2 cm

Provenance : Collection privée européenne

Art:
russia
Hauteur:
9.5 cm
Largeur:
8.2 cm
Épaisseur:
2 cm
Période:
Au Tournant Du Siècle 19-20
Style:
Néoclassicisme
Pays:
Russie Tsariste
Matière:
Argent 88, Émail guilloché, Néphrite
État:
Revive
Fair
Good
Very good
Like new
Cette poignée, conçue à la charnière des XIXe et XXe siècles dans les ateliers Fabergé, incarne un exceptionnel mélange entre art décoratif et sculpture fonctionnelle. À cette époque, la maison Fabergé diversifiait ses créations : au-delà des bijoux, elle produisait des objets raffinés du quotidien, comme des cannes, des étuis à cigarettes ou des miniatures.

Julius Rappoport, maître orfèvre en chef, se distinguait par la vitalité de ses formes et son excellence technique. Le singe — motif inhabituel dans les arts russes — évoque la malice, l’intelligence et l’observation. Ses yeux rubis et sa fourrure finement ciselée confèrent à la figure un réalisme presque expressif.

La néphrite, pierre appréciée tant pour sa solidité que sa symbolique, reflète aussi l’engouement de l’époque pour les matériaux orientaux et le dialogue russo-chinois. L’émail rouge guilloché, signature technique de Fabergé, ajoute éclat et profondeur. Chaque détail illustre le soin extrême porté à la conception, même dans les éléments utilitaires.

Les œuvres de Rappoport figurent aujourd’hui dans les collections de l’Ermitage, du musée Fabergé à Saint-Pétersbourg, du Victoria & Albert Museum, et de nombreuses collections privées. Cette poignée illustre à merveille l’élégance fonctionnelle de la Russie impériale finissante.

État de collection exceptionnel. Aucun défaut ni restauration. Émail et gravure conservés. Poinçons nets. Pierre et mécanisme en parfait état.

The condition report is provided for informational purposes only.

It is not comprehensive and may not reflect all defects, restorations, alterations, or adaptations, as Antiqon does not perform professional conservation-level assessments. The information is based on a qualified, yet subjective, evaluation by our specialists.Before purchasing, we recommend consultation with an independent expert.Please also consult our Terms and conditions and Glossary A-Z, which contain important information on lot characteristics and sale conditions.

Faberge (1872–1917)
FabergeFrance is considered to be the birthplace of the Faberge family. In 1800, Pierre Faberges grandfather Carl Faberge moved to Pernau, in Livonia (the Russian province of the Baltic), where he received Russian citizenship. In the following years, the son of Pierre Faberge, Gustav Faberge, an ambitious young jeweler, decided to move to St. Petersburg where he continued to engage in jewelry On May 30, 1846, Carl Faberge was born into the Faberge family, at that moment his father was already heading a successful business in which several craftsmen from Northern Europe and Germany worked. At the age of 18, Carl Faberge travels to Europe to learn jewelry craft from the best professionals of that time. Throughout his stay, he explores the decorative arts created by his predecessors, imbued with new ideas that will fuel him for the rest of his career. In 1872, Carl Faberge returned to St. Petersburg and joined his fathers business. In 1882, after the death of Gustav Faberge, Karl took over the management of the company. In a short time, Karl surpasses the achievements of his own father: in the same year he receives the official title of master of jewelry, and the exhibition in Moscow leads to the fact that the Emperor Alexander III notices Faberges talent, who soon elevates to the rank of court jeweler. At this time, Faberge received his first order from the monarch: the emperor orders Easter gift for his wife, Maria Feodorovna, an original gift of a piece of jewelry and of art - an Easter egg, which became the beginning of a series of Faberge Easter eggs that imperial family ordered yearly. The Empress was so fascinated by the gift that Fabergé was turned into a court jeweler, he received an order to make an egg every Easter ; the product had to be unique and contain some kind of surprise, that was the only condition. The next emperor, Nicholas II, kept this tradition, each spring giving, two eggs as a gift - one to Maria Feodorovna, his widowed mother, and the second to Alexandra Feodorovna, the new empress. The production of each egg took almost a year. As soon as the sketch was approved, a whole team of the firms jewelers took over the work, the names of some of them survived. The contribution of the master Mikhail Perkhin is especially great. Also important jewelers were August Holstrom, Henryk Wigstrom, Eric Collin. The series of imperial eggs had such fame and success that the Fabergé company made several products for private customers (15 are known). Among them, a series of seven eggs, presented by the gold miner Alexander Ferdinandovich Kelkh to his wife, stands apart. The rest of the famous eight Fabergé eggs were custom-made for Felix Yusupov, Emmanuel Nobel, the Rothschilds, the Duchess of Marlborough and unidentified individuals. They are not as luxurious as the imperial ones, and they are not unique, they often repeated already invented for royal family. Having received the patronage of the royal family and the title of “jeweler of His Imperial Majesty and jeweler of the Imperial Hermitage”, the Faberge firm became famous in Europe. Many relatives of the imperial family in Great Britain, Denmark, Greece and Bulgaria received items as gifts. In 1900, in Paris, Faberge received the title of "Master of the Paris Guild of Jewelers", and he was also awarded the Order of the Legion of Honor. The war of 1914 significantly undermines the financial affairs of the Faberge company. In 1917, after the beginning of the soviet revolution, the Faberge family completely stopped production and went to immigration to the city of Riga, then moved to Switzerland.Carl Faberge died in 1920 in Swiss city of Lausanne.
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