LARGE DOUBLE-LIGHT HANGING LANTERN RUSSIA, EARLY 19TH CENTURY
LARGE DOUBLE-LIGHT HANGING LANTERN RUSSIA, EARLY 19TH CENTURY
LARGE DOUBLE-LIGHT HANGING LANTERN RUSSIA, EARLY 19TH CENTURY
LARGE DOUBLE-LIGHT HANGING LANTERN RUSSIA, EARLY 19TH CENTURY
LARGE DOUBLE-LIGHT HANGING LANTERN RUSSIA, EARLY 19TH CENTURY
LARGE DOUBLE-LIGHT HANGING LANTERN RUSSIA, EARLY 19TH CENTURY
LARGE DOUBLE-LIGHT HANGING LANTERN RUSSIA, EARLY 19TH CENTURY
LARGE DOUBLE-LIGHT HANGING LANTERN RUSSIA, EARLY 19TH CENTURY
LARGE DOUBLE-LIGHT HANGING LANTERN RUSSIA, EARLY 19TH CENTURY
LARGE DOUBLE-LIGHT HANGING LANTERN RUSSIA, EARLY 19TH CENTURY

LARGE DOUBLE-LIGHT HANGING LANTERN RUSSIA, EARLY 19TH CENTURY

ID-ANTQ-8107
7500 EUR
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A large Russian double-light hanging lantern, representing a characteristic example of ceremonial interior lighting of the early 19th century. The composition is centered around a cylindrical body of clear transparent glass, enclosed within a gilt bronze framework forming the main decorative belt of the structure. The central glass cylinder is secured within a metal hoop and suspended by four chains from the upper mount, emphasizing the strict vertical orientation and monumental silhouette of the piece.

The lantern is fitted with two bronze candle sockets intended for light sources, indicating its original use during the period of candle illumination. A central vertical metal rod runs through the entire structure, connecting the upper suspension element with the lower section, ensuring structural stability and visual coherence.

The upper section is crowned with a glass dome set within a metal mount, surmounted by a hook for ceiling suspension. Surrounding the dome are curved metal rays adorned with drop-shaped crystal pendants, creating a shimmering play of light.

Additional bronze arms with crystal pendants and star-shaped glass elements are arranged around the perimeter. Decorative metal belts are enriched with relief ornamentation and gilding. The lower section is completed with a glass base, centrally fitted with a decorative circular element serving as the terminal of the vertical rod.

The overall appearance combines the disciplined clarity of Classical form with refined decorative richness, characteristic of grand palace and aristocratic interiors of the first half of the 19th century.

Material: Gilt bronze, cast and forged; clear transparent glass; crystal glass.

Dimensions: Height – 90 cm; diameter – 55 cm.

Condition: Good. Minor signs of age consistent with period.

Provenance: Russia. Attributed to the Imperial Glass Factory.

Art:
russia
Height:
90 cm
Width:
55 cm
Depth:
55 cm
Period:
Early 19th century
Style:
Louis XVI
Country:
France
Material:
Bronze, glass
Condition:
Revive
Fair
Good
Very good
Like new

The Imperial Glass Factory occupies a central position in the history of Russian decorative arts and the development of artistic glass production. Founded in the 18th century to supply the needs of the Imperial Court, the factory became the leading producer of high-quality glass and crystal objects. In the early 19th century, during the flourishing of Neoclassicism and the emergence of the Empire style, the Imperial Glass Factory set the artistic standards for court interiors.

Hanging lanterns of this type were widely used in ceremonial enfilades, reception halls and representative spaces of palaces and noble residences. The cylindrical glass body protected candle flames from drafts while producing an even, diffused light. Gilt bronze elements emphasized the prestige of the interior, while crystal pendants enhanced the luminous effect through reflection and refraction.

Typical early 19th-century compositional features include strict symmetry, vertical emphasis and balanced proportions. Relief-decorated belts, star-shaped glass details and drop-shaped crystal pendants reflect the aesthetics of late Neoclassicism and early Empire style.

The Imperial Glass Factory collaborated closely with leading bronze foundries, enabling the creation of complex ensembles combining glass, metal and crystal into a unified artistic whole. Such lanterns were often made to individual commissions for specific interiors, accounting for their exceptional quality and refined detailing.

Today, lanterns from the early 19th century are regarded as rare and highly valuable examples of Russian interior art, reflecting the aesthetic ideals of the Alexander I era and the ceremonial culture of the Russian Empire.

Overall condition is good. All structural elements are preserved. The glass components are clear, with minor chips and micro-cracks that do not affect the integrity or visual perception of the piece. Bronze elements display a natural age-related patina, with gilding preserved. Electrification was carried out at a later date.

The condition report is provided for informational purposes only.

It is not comprehensive and may not reflect all defects, restorations, alterations, or adaptations, as Antiqon does not perform professional conservation-level assessments. The information is based on a qualified, yet subjective, evaluation by our specialists.Before purchasing, we recommend consultation with an independent expert.Please also consult our Terms and conditions and Glossary A-Z, which contain important information on lot characteristics and sale conditions.

Russian Imperial Glass Factory.
The backstory of Imperial Glass began in the 1730s with a small production of the English merchant Elmsel on the Fontanka. He was charged with making products brought to the yard, as well as items for general sale. In 1755, by decree of the Senate, the production was transferred from the city to Yamburg, and later to the village of Nazyu near Shliselburg. In 1777, Catherine the Great donated the plant to Prince Potemkin, hoping for his care. This date is considered to be the time of foundation of the Imperial Glass Factory. Later, the Most Serene One transferred production to his estate Ozerki, and after the death of the prince in 1792, the plant was officially called the Imperial Glass Factory and passed into the jurisdiction of the Cabinet of His Imperial Majesty. The "Regulations on the Imperial Glass Factory" required the production of "art items to be presented to the Imperial Court and to be awarded to various persons and institutions on the highest behalf from the Cabinet of His Majesty." The plant also carried out private orders received through the shop of the Glass Factory, located in Quarenghi′s office on Nevsky Prospect and with the approval of His Majesty′s office. The factory regularly replenished the royal and grand ducal storerooms with crystal ware and gifts. The heyday of interior glass fell on the 1820s and is associated with trophy bronze and glass. Many famous architects have worked for the Glass Factory, including Voronikhin, Brenna and Rossi. By the end of the 19th century, the plant produced about 20,000 items per year. Participated in art and industrial exhibitions and was a landmark of St. Petersburg. The fashion for Art Nouveau glass gave the last splash in the production of artistic crystal at the Imperial Glass Factory. World war and crisis put an end to production. After a series of unsuccessful attempts to revive production, the plant was closed in 1917.
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