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Pair of crystal vases with gilt bronze. End of the 19th century.
Pair of crystal vases with gilt bronze. End of the 19th century.
Pair of crystal vases with gilt bronze. End of the 19th century.
Pair of crystal vases with gilt bronze. End of the 19th century.
Pair of crystal vases with gilt bronze. End of the 19th century.
Pair of crystal vases with gilt bronze. End of the 19th century.
Pair of crystal vases with gilt bronze. End of the 19th century.
Pair of crystal vases with gilt bronze. End of the 19th century.
Pair of crystal vases with gilt bronze. End of the 19th century.
Pair of crystal vases with gilt bronze. End of the 19th century.

Pair of crystal vases with gilt bronze. End of the 19th century.

ID-ANTQ-7936
Live auction begins in:
| April 10, 2026 1:27 AM GMT+03:00
Estimate
300 - 400 EUR
Current Bid
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Pair of crystal vases in the form of balusters and a belt of diamond rustication in a bronze setting, decorated with scaly patterns, palmettes, water leaves and flowers. Handles are stylized as a cornucopia. Late 19th century H. 29.5 cm.
Art:
europe
Height:
29.5 cm
Width:
16 cm
Depth:
16 cm
Period:
Late 19th century
Style:
Neoclassicism
Country:
Europe
Material:
Crystal, bronze, Gilding
Condition:
Revive
Fair
Good
Very good
Like new

The condition report is provided for informational purposes only.

It is not comprehensive and may not reflect all defects, restorations, alterations, or adaptations, as Antiqon does not perform professional conservation-level assessments. The information is based on a qualified, yet subjective, evaluation by our specialists.Before purchasing, we recommend consultation with an independent expert.Please also consult our Terms and conditions and Glossary A-Z, which contain important information on lot characteristics and sale conditions.

Neoclassicism
 Neoclassicism is part of a retrospective aesthetics that smoldered throughout the 19th century and developed into a powerful chord of the Russian neoampire of the 1910s. Neoclassicism manifested itself as a neo-Greek in the second third of the 19th century, in the new Hermitage of Leo Klenz, the opera house of Riga in the 1880s, in the after-fire interiors of the winter palace. Exists as part of the intrigue of balance and stability in an era of total historical fascination.
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