Winter Landscape. River Bank in Winter. Boris Bessonov (1862-1934)
 Winter Landscape. River Bank in Winter. Boris Bessonov (1862-1934)
 Winter Landscape. River Bank in Winter. Boris Bessonov (1862-1934)
 Winter Landscape. River Bank in Winter. Boris Bessonov (1862-1934)
 Winter Landscape. River Bank in Winter. Boris Bessonov (1862-1934)
 Winter Landscape. River Bank in Winter. Boris Bessonov (1862-1934)
 Winter Landscape. River Bank in Winter. Boris Bessonov (1862-1934)
 Winter Landscape. River Bank in Winter. Boris Bessonov (1862-1934)
 Winter Landscape. River Bank in Winter. Boris Bessonov (1862-1934)
 Winter Landscape. River Bank in Winter. Boris Bessonov (1862-1934)
 Winter Landscape. River Bank in Winter. Boris Bessonov (1862-1934)
 Winter Landscape. River Bank in Winter. Boris Bessonov (1862-1934)

Winter Landscape. River Bank in Winter. Boris Bessonov (1862-1934)

ID-ANTQ-11254
November 29, 2025 12:00 PM GMT+02:00
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Estimate
1500 - 2000 EUR
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The superb landscape River Bank in Winter by Boris Bessonov transports the viewer to the enchanted world of winter nature, filled with an atmosphere of cold and silence. Nature here is frozen in the moment, shrouded in a blanket of soft snow, which shimmers with pink reflections of the setting sun. The light of this warm evening sun heralds the end of winter, adding a special emotional depth to the painting. The main focus of the work is the river, calmly flowing among the snow-covered banks. Its surface, like a mirror, reflects the slender firs that rise above the water like majestic giants, filled with power and tranquility. The snow covering their branches creates a feeling of a winter dream of nature, in which every movement seems to be slowed down by the frosty air. The sky, painted in soft blue, pink and grey tones, adds a sense of approaching spring, promising the imminent awakening of nature. This work by Bessonov enchants with its realism and masterful use of light and colour. The artist managed to convey not only the winter beauty, but also the subtle transition from cold to warm, from winter to spring. The painting evokes feelings of peace and tranquility, recalling the cyclical nature of time and the eternal harmony of nature. Boris Bessonov (1862–1934) Oil on canvas. Dimensions: 63 cm x 80 cm. First half of the 20th century.

Provenance: Rayner MacConnell, Bond Street, London

Art:
russia
Height:
85 cm
Width:
100 cm
Depth:
10 cm
Period:
Early 20th century
Style:
Realism
Country:
Russia
Material:
Canvas, oil
Condition:
Revive
Fair
Good
Very good
Like new

The condition report is provided for informational purposes only.

It is not comprehensive and may not reflect all defects, restorations, alterations, or adaptations, as Antiqon does not perform professional conservation-level assessments. The information is based on a qualified, yet subjective, evaluation by our specialists.Before purchasing, we recommend consultation with an independent expert.Please also consult our Terms and conditions and Glossary A-Z, which contain important information on lot characteristics and sale conditions.

Boris Vasilyevich Bessonov (Bessonov) (1862, Moscow – 1934, Paris)
Boris Vasilyevich Bessonov (Bessonov) (1862, Moscow – 1934, Paris) – Russian landscape painter. He was born in Moscow to a family of a doctor and amateur artist V. V. Bessonov, who was one of the founders of the Society for Mutual Assistance of Russian Artists. Already in childhood he showed artistic abilities and began to study painting under the guidance of a family friend, the famous artist Vasily Grigorievich Perov, who had a significant influence on his work. Bessonov graduated from the 2nd Moscow Classical Gymnasium, after which he entered Moscow University. In parallel with his university education, he attended classes at the Moscow School of Painting, Sculpture and Architecture (MUZhVZ), where his teachers were outstanding masters of painting of that time, including Alexey Kondratyevich Savrasov. It was Savrasov, known for his landscapes, who became an important mentor for Bessonov, helping him develop an interest in depicting nature. In 1880, Bessonov began serving in the Ministry of Agriculture, which gave him the opportunity to travel around Russia. These trips influenced his artistic vision: the nature of the Russian provinces, abandoned estates and winter landscapes became the main themes of his work. The artist especially loved to depict noble parks, immersed in silence and desolation, as well as snow-covered Russian landscapes, conveying the melancholic charm of a bygone era on his canvases. In 1922, after the revolution and the Civil War, Bessonov emigrated. First, he ended up in Constantinople, then on the island of Lemnos, and later settled in France, in Paris. There he began collaborating with the gallery of L. Gerard, where he exhibited and sold his works. His landscapes were in demand both in Europe and beyond, including South America and England. In 1931, Bessonov began to participate in exhibitions at the Salon des Indépendants, which cemented his position on the French art scene. Boris Bessonov died in Paris in 1934. His works have been preserved in museum collections in France and England, testifying to the talent of the artist, who managed to convey the spirit of Russian nature and cultural landscapes on his canvases, even while far from his homeland.
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