Field Bindweed Vase, Imperial Glass Factory, 1914
Field Bindweed Vase, Imperial Glass Factory, 1914
Field Bindweed Vase, Imperial Glass Factory, 1914
Field Bindweed Vase, Imperial Glass Factory, 1914

Field Bindweed Vase, Imperial Glass Factory, 1914

ID-ANTQ-3730
6500 EUR
Sold
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Spherical crystal vase Field Bindweed of the Imperial Glass Factory, 1914. An outstanding collector`s item, an example of the modest charm of Art Nouveau, in which simplicity, clarity, and the cosmogonic integrity of the sphere are intertwined. A sweet and touching motif of roadside bindweed, vividly not repeating itself in anything, envelops a heavy glass ball. The cascading and ascending pattern of the leaves is shaded by a noble gray-blue overtone, giving a unique charm and lyricism to this small universe.

Crystal, blown, carved, engraved, polished. On the base is a carved mark of HII under the imperial crown of Nicholas II, 1914

Art:
russia
Height:
14 cm
Width:
16.5 cm
Depth:
16.5 cm
Period:
Early 20th century
Style:
Modern
Country:
Royal Russia
Material:
Crystal, Etching
Condition:
Revive
Fair
Good
Very good
Like new

The condition report is provided for informational purposes only.

It is not comprehensive and may not reflect all defects, restorations, alterations, or adaptations, as Antiqon does not perform professional conservation-level assessments. The information is based on a qualified, yet subjective, evaluation by our specialists.Before purchasing, we recommend consultation with an independent expert.Please also consult our Terms and conditions and Glossary A-Z, which contain important information on lot characteristics and sale conditions.

IMPERIAL GLASS FACTORY
The Imperial Glass Factory was the principal state enterprise of the Russian Empire in the field of artistic glass from the eighteenth to the early twentieth century. It shaped the visual canon of ceremonial interiors, served the Highest Court, and executed representative commissions on behalf of the Cabinet of His Imperial Majesty. The production united European traditions with Russian monumentality of form, becoming the core of the national school of artistic crystal.
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