TABLE BAROMETER BY THE HOUSE OF FABERGÉ, MASTER VIKTOR AARNE, ST PETERSBURG, 1899–1904
TABLE BAROMETER BY THE HOUSE OF FABERGÉ, MASTER VIKTOR AARNE, ST PETERSBURG, 1899–1904
TABLE BAROMETER BY THE HOUSE OF FABERGÉ, MASTER VIKTOR AARNE, ST PETERSBURG, 1899–1904
TABLE BAROMETER BY THE HOUSE OF FABERGÉ, MASTER VIKTOR AARNE, ST PETERSBURG, 1899–1904
TABLE BAROMETER BY THE HOUSE OF FABERGÉ, MASTER VIKTOR AARNE, ST PETERSBURG, 1899–1904
TABLE BAROMETER BY THE HOUSE OF FABERGÉ, MASTER VIKTOR AARNE, ST PETERSBURG, 1899–1904
TABLE BAROMETER BY THE HOUSE OF FABERGÉ, MASTER VIKTOR AARNE, ST PETERSBURG, 1899–1904
TABLE BAROMETER BY THE HOUSE OF FABERGÉ, MASTER VIKTOR AARNE, ST PETERSBURG, 1899–1904
TABLE BAROMETER BY THE HOUSE OF FABERGÉ, MASTER VIKTOR AARNE, ST PETERSBURG, 1899–1904
TABLE BAROMETER BY THE HOUSE OF FABERGÉ, MASTER VIKTOR AARNE, ST PETERSBURG, 1899–1904
TABLE BAROMETER BY THE HOUSE OF FABERGÉ, MASTER VIKTOR AARNE, ST PETERSBURG, 1899–1904
TABLE BAROMETER BY THE HOUSE OF FABERGÉ, MASTER VIKTOR AARNE, ST PETERSBURG, 1899–1904
TABLE BAROMETER BY THE HOUSE OF FABERGÉ, MASTER VIKTOR AARNE, ST PETERSBURG, 1899–1904
TABLE BAROMETER BY THE HOUSE OF FABERGÉ, MASTER VIKTOR AARNE, ST PETERSBURG, 1899–1904

TABLE BAROMETER BY THE HOUSE OF FABERGÉ, MASTER VIKTOR AARNE, ST PETERSBURG, 1899–1904

ID-ANTQ-12290
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A rare cabinet object — a table barometer created by master Viktor Aarne for the legendary House of Fabergé in St Petersburg between 1899 and 1904 — represents a unique synthesis of functionality and refined jewellery artistry.

The body is made of 88 silver standard, set on three elegant sculpted legs, and covered with ruby guilloché enamel over a wavy background. The upper part features an opalescent white enamel dial, protected by a faceted glass, inscribed in Russian with weather conditions: “Storm”, “Rain”, “Change”, “Clear”, “Very”. The whole is crowned by a raised silver laurel wreath in classical Empire style.

Hallmarks: Makers mark “FABERGÉ” ;Workmasters mark “ВА” for Viktor Aarne ; St Petersburg assay office mark (1899–1904), with inspector Yakov Lyapunov’s initials ; Number “88” indicating high silver purityDimensions:— Height: 6.3 cm— Base diameter: 11.5 cm— Top diameter: 8.5 cmWeight: 665 gProvenance: Commissioned in the workshop of Viktor Aarne for the House of Fabergé; belongs to the extremely rare category of silver barometers, some of which were presented on behalf of the Imperial Cabinet.

Art:
russia
Height:
6 cm
Width:
9 cm
Depth:
11 cm
Period:
At the turn of 19th -20th century
Style:
Empire
Country:
Russia, St. Petersburg
Material:
Silver 88, Enamel
Condition:
Revive
Fair
Good
Very good
Like new
The table barometer by Viktor Aarne, created at the turn of the 20th century in the House of Fabergé, is an exceptional work of applied art where functionality blends seamlessly with refined artistic execution. Barometers were never part of Fabergé’s standard production and were made only by special commission, often as one-off pieces.

Barometers are exceptionally rare among Fabergé creations: only eight silver examples are known to exist, made by order of the Cabinet of His Imperial Majesty, two of which were awarded as the highest state honour. These items were distinguished not only by their refined aesthetics but also by their symbolic significance, reflecting the high status of the recipient and the exceptional nature of the occasion.

Carl Fabergé, celebrated as the Imperial Court Jeweller, developed a distinctive artistic language where enamel, silver, and utilitarian forms embodied prestige and refined taste. Master Viktor Aarne, one of Fabergé’s foremost workmasters, led his own workshop from 1888, specialising in silver and coloured enamel. His name appears on many items intended for the upper echelons of the empire — from card cases to desk accessories.

The Empire style in which this barometer is executed became an aesthetic code of Imperial power in Russia. In Fabergé’s silver and enamel, it gained a new celebratory tone. The laurel frieze, faceted glass, and deep ruby enamel combine neoclassicism with Petersburg decorative opulence.

Such pieces are preserved today in the Hermitage, the Wartski Collection in Switzerland, the Fabergé Museum in Baden-Baden, and leading private collections. They reflect not only the grandeur of the era but also the unparalleled craftsmanship that made the Fabergé name a synonym for luxury and perfection.

Excellent condition: the mechanism is in working order; enamel is intact; glass is undamaged; the silver surface is clean and lustrous. Hallmarks are clear.

The condition report is provided for informational purposes only.

It is not comprehensive and may not reflect all defects, restorations, alterations, or adaptations, as Antiqon does not perform professional conservation-level assessments. The information is based on a qualified, yet subjective, evaluation by our specialists.Before purchasing, we recommend consultation with an independent expert.Please also consult our Terms and conditions and Glossary A-Z, which contain important information on lot characteristics and sale conditions.

Faberge (1872–1917)
FabergeFrance is considered to be the birthplace of the Faberge family. In 1800, Pierre Faberges grandfather Carl Faberge moved to Pernau, in Livonia (the Russian province of the Baltic), where he received Russian citizenship. In the following years, the son of Pierre Faberge, Gustav Faberge, an ambitious young jeweler, decided to move to St. Petersburg where he continued to engage in jewelry On May 30, 1846, Carl Faberge was born into the Faberge family, at that moment his father was already heading a successful business in which several craftsmen from Northern Europe and Germany worked. At the age of 18, Carl Faberge travels to Europe to learn jewelry craft from the best professionals of that time. Throughout his stay, he explores the decorative arts created by his predecessors, imbued with new ideas that will fuel him for the rest of his career. In 1872, Carl Faberge returned to St. Petersburg and joined his fathers business. In 1882, after the death of Gustav Faberge, Karl took over the management of the company. In a short time, Karl surpasses the achievements of his own father: in the same year he receives the official title of master of jewelry, and the exhibition in Moscow leads to the fact that the Emperor Alexander III notices Faberges talent, who soon elevates to the rank of court jeweler. At this time, Faberge received his first order from the monarch: the emperor orders Easter gift for his wife, Maria Feodorovna, an original gift of a piece of jewelry and of art - an Easter egg, which became the beginning of a series of Faberge Easter eggs that imperial family ordered yearly. The Empress was so fascinated by the gift that Fabergé was turned into a court jeweler, he received an order to make an egg every Easter ; the product had to be unique and contain some kind of surprise, that was the only condition. The next emperor, Nicholas II, kept this tradition, each spring giving, two eggs as a gift - one to Maria Feodorovna, his widowed mother, and the second to Alexandra Feodorovna, the new empress. The production of each egg took almost a year. As soon as the sketch was approved, a whole team of the firms jewelers took over the work, the names of some of them survived. The contribution of the master Mikhail Perkhin is especially great. Also important jewelers were August Holstrom, Henryk Wigstrom, Eric Collin. The series of imperial eggs had such fame and success that the Fabergé company made several products for private customers (15 are known). Among them, a series of seven eggs, presented by the gold miner Alexander Ferdinandovich Kelkh to his wife, stands apart. The rest of the famous eight Fabergé eggs were custom-made for Felix Yusupov, Emmanuel Nobel, the Rothschilds, the Duchess of Marlborough and unidentified individuals. They are not as luxurious as the imperial ones, and they are not unique, they often repeated already invented for royal family. Having received the patronage of the royal family and the title of “jeweler of His Imperial Majesty and jeweler of the Imperial Hermitage”, the Faberge firm became famous in Europe. Many relatives of the imperial family in Great Britain, Denmark, Greece and Bulgaria received items as gifts. In 1900, in Paris, Faberge received the title of "Master of the Paris Guild of Jewelers", and he was also awarded the Order of the Legion of Honor. The war of 1914 significantly undermines the financial affairs of the Faberge company. In 1917, after the beginning of the soviet revolution, the Faberge family completely stopped production and went to immigration to the city of Riga, then moved to Switzerland.Carl Faberge died in 1920 in Swiss city of Lausanne.
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