MAHOGANY AND GILT-BRONZE DISPLAY CABINET. FRANÇOIS LINKE. FRANCE, LATE 19TH CENTURY
MAHOGANY AND GILT-BRONZE DISPLAY CABINET. FRANÇOIS LINKE. FRANCE, LATE 19TH CENTURY
MAHOGANY AND GILT-BRONZE DISPLAY CABINET. FRANÇOIS LINKE. FRANCE, LATE 19TH CENTURY
MAHOGANY AND GILT-BRONZE DISPLAY CABINET. FRANÇOIS LINKE. FRANCE, LATE 19TH CENTURY
MAHOGANY AND GILT-BRONZE DISPLAY CABINET. FRANÇOIS LINKE. FRANCE, LATE 19TH CENTURY
MAHOGANY AND GILT-BRONZE DISPLAY CABINET. FRANÇOIS LINKE. FRANCE, LATE 19TH CENTURY
MAHOGANY AND GILT-BRONZE DISPLAY CABINET. FRANÇOIS LINKE. FRANCE, LATE 19TH CENTURY
MAHOGANY AND GILT-BRONZE DISPLAY CABINET. FRANÇOIS LINKE. FRANCE, LATE 19TH CENTURY
MAHOGANY AND GILT-BRONZE DISPLAY CABINET. FRANÇOIS LINKE. FRANCE, LATE 19TH CENTURY
MAHOGANY AND GILT-BRONZE DISPLAY CABINET. FRANÇOIS LINKE. FRANCE, LATE 19TH CENTURY
MAHOGANY AND GILT-BRONZE DISPLAY CABINET. FRANÇOIS LINKE. FRANCE, LATE 19TH CENTURY
MAHOGANY AND GILT-BRONZE DISPLAY CABINET. FRANÇOIS LINKE. FRANCE, LATE 19TH CENTURY
MAHOGANY AND GILT-BRONZE DISPLAY CABINET. FRANÇOIS LINKE. FRANCE, LATE 19TH CENTURY
MAHOGANY AND GILT-BRONZE DISPLAY CABINET. FRANÇOIS LINKE. FRANCE, LATE 19TH CENTURY

MAHOGANY AND GILT-BRONZE DISPLAY CABINET. FRANÇOIS LINKE. FRANCE, LATE 19TH CENTURY

ID-ANTQ-11610
30000 EUR
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A magnificent three-door display cabinet created by the legendary French workshop of François Linke, epitomising the luxury and refinement of late 19th-century decorative art. Crafted from fine mahogany and richly adorned with gilt-bronze ornamentation.

The central door presents an elegant gilt-bronze composition over veneered wood with marquetry elements. At its centre stands a muse holding a musical instrument, symbolising the art of music. The figure rises upon a fountain-shaped pedestal surrounded by finely modelled nymphs. The composition is enhanced with festoons, vases overflowing with fruit, and crowned by a pair of paradise birds carrying a floral garland of roses and lilies.

The upper frieze is decorated with garlands, playful satyrs, and musical grotesques, creating a vivid scene of classical symbolism. The corners are embellished with substantial gilt-bronze mounts featuring mascarons and floral motifs. The cabinet’s refined detail and the crisp chasing of its bronze ornament demonstrate the artist’s extraordinary craftsmanship.

The top is surmounted by a light Carrara marble slab with green veining, harmoniously complementing the warm tones of the mahogany. The side panels with bevelled glass doors accentuate the cabinet’s graceful silhouette, while mirrored back panels and glass shelves create a sense of depth and light within the display. The piece rests on delicate tapered legs with gilt-bronze decorations.

Marks: Signed François Linke.

Dimensions: 164 × 145 × 40 cm.

Material: Mahogany, gilt bronze, marble, glass, mirrors.

Condition: Excellent. Professional restoration preserving the original gilding and surface finish.

Provenance: Private collection, South of France.

Art:
europe
Height:
164 cm
Width:
145 cm
Depth:
40 cm
Period:
Late 19th century
Style:
Louis XVI
Country:
France
Material:
Mahogany and Gilded bronze mercury, Marquetry, Marble
Condition:
Revive
Fair
Good
Very good
Like new

François Linke (1855–1946) was one of the most celebrated French cabinetmakers of the Belle Époque. His name became synonymous with impeccable taste, masterful craftsmanship, and the harmonious fusion of 18th-century traditions with the refined aesthetics of Art Nouveau. Born in Bohemia, Linke trained in Paris and by the end of the 19th century had established his own workshop on the Faubourg Saint-Antoine — the heart of Parisian furniture-making.

His fame peaked after the 1900 Exposition Universelle, where his creations astonished the public with their unprecedented blend of classical forms and innovative ornamental dynamism. Linke collaborated with the leading sculptor and designer Léon Messagé, whose inventive bronze decorations became an integral feature of his masterpieces.

This display cabinet belongs to Linke’s mature period, illustrating his signature balance between architectural precision and decorative vitality. Such works were designed for aristocratic residences and Parisian hôtels particuliers, often adorning the interiors of the French Riviera’s elite mansions. The allegorical figures, garlands, and musical motifs in gilt bronze reflect the synthesis of classicism and delicate modernity that defined French decorative art at the fin de siècle.

Today, François Linke’s signed pieces are preserved in the world’s foremost museum and palace collections, including the Musée d’Orsay, the Victoria and Albert Museum, and the Hillwood Museum, as well as in distinguished private collections across Europe and America. Each signed cabinet represents not only a masterpiece of Belle Époque craftsmanship but also a cultural emblem of French artistic excellence.

The cabinet is in excellent condition following professional restoration. The gilded bronze and wood surfaces are evenly polished; the gilding is intact. The marble top is free of chips; glass and mirrors show no damage. The structure remains stable and fully preserves its museum-level integrity.

The condition report is provided for informational purposes only.

It is not comprehensive and may not reflect all defects, restorations, alterations, or adaptations, as Antiqon does not perform professional conservation-level assessments. The information is based on a qualified, yet subjective, evaluation by our specialists.Before purchasing, we recommend consultation with an independent expert.Please also consult our Terms and conditions and Glossary A-Z, which contain important information on lot characteristics and sale conditions.

Linke François
Francois Linke Francois Linke 1855-1946, is an outstanding French cabinetmaker of the last quarter of the 19th century. A legendary master of the first half of the 20th century. Comes from Silesian Germans. He studied the craft in a German environment and in Vienna. In 1875 he finally settled in Paris. He opened a workshop in the Faubourg Saint-Antoine, where he worked mainly for other manufacturers. The year of the master’s triumph was 1900 and the World Exhibition in Paris. Having risked everything by putting together a grandiose exhibition without insurance contracts, Linke gained worldwide fame and renown, with clients all over the world. His original sound of the styles of Louis XV and XVI, multiplied by the willfulness of Art Nouveau, gave an unusually bright chord of forms and decorations. In an era of crisis of traditional furniture, it remained the flagship of the industry. They wrote: “The work of M. Linke... was an example of what can be done by seeking inspiration among the classical examples of Louis XV and XVI without in any sense copying these great works. M. Linke′s work was original in the full sense of the word and as such appealed to the intelligent seekers of truly artistic things in the exhibition. Remarkable talent was used to create magnificent works. exhibited furniture." His salon on Place Vendôme attracted special clients. One of them was the sheikh of Egypt, for whom Linke furnished a palace that surpassed Versailles in beauty and wealth. Linke retained the palm of cabinet-making until the second world wave. He retired in the late 1930s and died in 1946.
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