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Non-trivial photo frame of gilded bronze in the Neo-Baroque style, the turn of the 19th-20th centuries.
Non-trivial photo frame of gilded bronze in the Neo-Baroque style, the turn of the 19th-20th centuries.
Non-trivial photo frame of gilded bronze in the Neo-Baroque style, the turn of the 19th-20th centuries.
Non-trivial photo frame of gilded bronze in the Neo-Baroque style, the turn of the 19th-20th centuries.
Non-trivial photo frame of gilded bronze in the Neo-Baroque style, the turn of the 19th-20th centuries.
Non-trivial photo frame of gilded bronze in the Neo-Baroque style, the turn of the 19th-20th centuries.
Non-trivial photo frame of gilded bronze in the Neo-Baroque style, the turn of the 19th-20th centuries.
Non-trivial photo frame of gilded bronze in the Neo-Baroque style, the turn of the 19th-20th centuries.
Non-trivial photo frame of gilded bronze in the Neo-Baroque style, the turn of the 19th-20th centuries.
Non-trivial photo frame of gilded bronze in the Neo-Baroque style, the turn of the 19th-20th centuries.

Non-trivial photo frame of gilded bronze in the Neo-Baroque style, the turn of the 19th-20th centuries.

ID-ANTQ-7759
Live auction begins in:
| April 10, 2026 1:25 AM GMT+03:00
Estimate
100 - 150 EUR
Current Bid
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A non-trivial and fascinating photo frame of gilded bronze in the Neo-Baroque style, at the turn of the 19th and 20th centuries. It is decorated as an old sheet of paper, on the vine, flower and palm vine of which, clusters of cupids and cupids playfully sit. They play pranks and swagger with genuine delight, cling to Venus, invitingly reclining at the base of the frame. The richness of the theme, the temptation of feelings, the lively whimsical decor - will ensure the success of any photo inside. Dimensions: 29x22.5 cm.
Art:
europe
Height:
29 cm
Width:
22.5 cm
Depth:
3 cm
Period:
At the turn of 19th -20th century
Style:
Neo-baroque
Country:
Europe
Material:
Bronze and brass, Gilded bronze
Condition:
Revive
Fair
Good
Very good
Like new

The condition report is provided for informational purposes only.

It is not comprehensive and may not reflect all defects, restorations, alterations, or adaptations, as Antiqon does not perform professional conservation-level assessments. The information is based on a qualified, yet subjective, evaluation by our specialists.Before purchasing, we recommend consultation with an independent expert.Please also consult our Terms and conditions and Glossary A-Z, which contain important information on lot characteristics and sale conditions.

Neo-Baroque.
 Neo-baroque is one of the neo-styles that developed in 19th century European art during the period of historicism. Has several different regional variations. In St. Petersburg, the most European city of the Russian Empire, the period of historicism of artistic thinking and neo-styles of the 19th century began to reproduce or, as they said at that time, "renewal in their previous form" of the monuments of the "Peter′s Baroque" period and buildings "in the taste of Count Bartholomew Rastrelli" ... These samples are not baroque architecture in the classical sense, but a special fusion of the Renaissance, Baroque and Mannerist architecture of the Nordic countries, and in Elizabethan time - a bizarre combination of elements of classicism, baroque and French rococo. Neo-baroque features are evident in the interior of St. Isaac′s Cathedral in St. Petersburg (O. Montferrand, 1818-1858), in the Mariinsky Palace, built in the neo-Renaissance style by A.I. Stackenschneider (1839-1844) and in the most important work of the "second baroque": the Beloselsky-Belozersky palace (1846-1848) on the Nevsky Prospect of the Russian capital. In the facades of the Beloselsky-Belozersky palace, the architect Stakenschneider followed the general composition of the Stroganov palace, erected by F.B. Rastrelli was also on Nevsky Prospekt a century earlier. However, Stackenschneider′s powerful plasticity of Rastrelli′s decor turned into refined, but petty "dry" ornamentation, which was positively evaluated by the critics of that time as an improvement in style. Graphic rigidity, refinement and fragmentation, as a rule, distinguish any neo-style from its historical prototype. Such are also many other neo-baroque monuments in St. Petersburg of the middle and second half of the 19th century.
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