PAIR OF SWAN-MOTIF JARDINIÈRES FRANCE, 20TH CENTURY
PAIR OF SWAN-MOTIF JARDINIÈRES FRANCE, 20TH CENTURY
PAIR OF SWAN-MOTIF JARDINIÈRES FRANCE, 20TH CENTURY
PAIR OF SWAN-MOTIF JARDINIÈRES FRANCE, 20TH CENTURY
PAIR OF SWAN-MOTIF JARDINIÈRES FRANCE, 20TH CENTURY
PAIR OF SWAN-MOTIF JARDINIÈRES FRANCE, 20TH CENTURY
PAIR OF SWAN-MOTIF JARDINIÈRES FRANCE, 20TH CENTURY
PAIR OF SWAN-MOTIF JARDINIÈRES FRANCE, 20TH CENTURY
PAIR OF SWAN-MOTIF JARDINIÈRES FRANCE, 20TH CENTURY
PAIR OF SWAN-MOTIF JARDINIÈRES FRANCE, 20TH CENTURY
PAIR OF SWAN-MOTIF JARDINIÈRES FRANCE, 20TH CENTURY
PAIR OF SWAN-MOTIF JARDINIÈRES FRANCE, 20TH CENTURY
PAIR OF SWAN-MOTIF JARDINIÈRES FRANCE, 20TH CENTURY
PAIR OF SWAN-MOTIF JARDINIÈRES FRANCE, 20TH CENTURY
PAIR OF SWAN-MOTIF JARDINIÈRES FRANCE, 20TH CENTURY
PAIR OF SWAN-MOTIF JARDINIÈRES FRANCE, 20TH CENTURY

PAIR OF SWAN-MOTIF JARDINIÈRES FRANCE, 20TH CENTURY

ID-ANTQ-7788
Live auction begins in:
| April 10, 2026 2:42 AM GMT+03:00
Estimate
5000 - 7000 EUR
Current Bid
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A monumental pair of circular jardinières crafted from cast glass and gilt bronze, executed in France in the 20th century in the Historicist manner, drawing upon the artistic vocabulary of the French Empire. The composition is defined by the striking contrast between the massive transparent glass bowl and the sculptural bronze mounting, finely chased and richly articulated in detail.

The bronze decoration forms a cohesive and dynamic ensemble: around the rim are arranged majestic swans with gracefully curved necks and outstretched wings. Their bodies create a rhythmic frieze characteristic of the Imperial decorative canon, where the swan symbolizes nobility, purity and fidelity. The central elements are enriched with lush palmettes and acanthus motifs, descending into a substantial profiled stem. The base combines bronze and transparent glass, enhancing the sense of monumentality while ensuring structural balance.

The bronze displays refined casting of high artistic quality, with delicately modeled plumage conveying a vivid sense of movement. The even gilding underscores the ceremonial character of the pieces and amplifies the play of light across the relief surface. Such jardinières were conceived for grand interiors – winter gardens, salons and reception rooms – serving as decorative focal points and emblems of status.

Marks: None observed.
Dimensions: Height 34–36 cm. Diameter 46 cm.
Condition: Good. Gilding even. Minor signs of age and handling. No losses to the glass and no deformation of the bronze.
Provenance: Private collection. Formerly Paris, hôtel particulier.

Art:
europe
Height:
36 cm
Width:
46 cm
Depth:
46 cm
Period:
20th century
Style:
Neoclassicism
Country:
France
Material:
Gilded bronze, Glass
Condition:
Revive
Fair
Good
Very good
Like new

The condition report is provided for informational purposes only.

It is not comprehensive and may not reflect all defects, restorations, alterations, or adaptations, as Antiqon does not perform professional conservation-level assessments. The information is based on a qualified, yet subjective, evaluation by our specialists.Before purchasing, we recommend consultation with an independent expert.Please also consult our Terms and conditions and Glossary A-Z, which contain important information on lot characteristics and sale conditions.

Empire
Empire - a style in architecture, arts and crafts and fine arts of the first third of the XIX century. in European countries, which completed the development of classicism. The Empire style developed in France during the era of Napoleon Bonaparte, and then spread to many other countries. The distinctive features of this style are solemnity, splendor, massiveness of large volumes, richness of decor. Artists who create works in the Empire style drew their inspiration from the elements of antique ornament, but they (unlike classicism) were guided mainly by Greek, not Roman antiquity. The motives of decor and architecture in the art of the Empire style repeated in many respects not only Roman samples, but also ancient Egyptian art, in connection with the Egyptian campaign of Bonaparte. Empire architecture is characterized by monumentality, geometric correctness of volumes and integrity (triumphal arches, columns, palaces). The ceremonial palace interiors were richly decorated with picturesque panels inspired by Pompeian paintings, reliefs reminiscent of Egyptian sphinxes, vases, furniture and antique bronze. The decor was often overloaded with arabesques, palmettes, fantastic motives from Etruscan art and military paraphernalia of Roman origin (armor, shields, swords, wreaths, heraldic eagles, etc.). Empire through numerous attributes and symbols asserted the idea of imperial greatness.In Russia, the Empire style was most widespread in the city-planning ensembles of the center of St. Petersburg, designed by K. Rossi. In Moscow, many buildings and mansions were built in this style according to the designs of D. Battista and G. Gilardi and A. Grigoriev. In Russian sculpture, the Empire style was reflected in a number of monuments, for example, in the creation of I. Martos - the monument to K. Minin and Dm. Pozharsky on Red Square in MoscowThe founder of the Empire style is the painter Louis David, and the exponents of this style are the architects Charles Persier (1764–1838) and Pierre Fontaine (1762–1853). 

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