NUDE RECLINING WOMAN, RUSSIA, LATE 19TH CENTURY
NUDE RECLINING WOMAN, RUSSIA, LATE 19TH CENTURY
NUDE RECLINING WOMAN, RUSSIA, LATE 19TH CENTURY
NUDE RECLINING WOMAN, RUSSIA, LATE 19TH CENTURY
NUDE RECLINING WOMAN, RUSSIA, LATE 19TH CENTURY
NUDE RECLINING WOMAN, RUSSIA, LATE 19TH CENTURY
NUDE RECLINING WOMAN, RUSSIA, LATE 19TH CENTURY
NUDE RECLINING WOMAN, RUSSIA, LATE 19TH CENTURY
NUDE RECLINING WOMAN, RUSSIA, LATE 19TH CENTURY
NUDE RECLINING WOMAN, RUSSIA, LATE 19TH CENTURY
NUDE RECLINING WOMAN, RUSSIA, LATE 19TH CENTURY
NUDE RECLINING WOMAN, RUSSIA, LATE 19TH CENTURY

NUDE RECLINING WOMAN, RUSSIA, LATE 19TH CENTURY

ID-ANTQ-2967
November 29, 2025 12:00 PM GMT+02:00
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Estimate
2000 - 3000 EUR
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An oval oil painting on cardboard, executed in the style of Russian Art Nouveau and the “World of Art” circle. The composition features a nude woman reclining in a relaxed pose on a bed, holding a book, her head resting on a pink pillow. The setting, with its delicate drapery, carved headboard, and silver tea service, evokes the refined domestic interiors of the Rococo era. The brushwork is soft and pastose, emphasizing the sensuality of the figure and the decorative richness of the surroundings. In the lower right corner appears the signature “K. Somov” and the date “1897.” The painting is presented in a gilt oval frame with a light blue museum-quality mat. On the reverse is an old collector’s label inscribed in ink: “K. Somov, 1869–1939,” framed by a decorative blue border.

Dimensions: Painting: 30 × 37 cm. Frame: approximately 50 × 60 cm

Material: Oil on cardboard

Condition: Good condition. The surface is clean, and the paint layer is stable. Minor signs of age on the reverse and frame.

Provenance: Private European collection. Contents of a 19th-century Baltic villa

Art:
russia
Height:
30 cm
Width:
37 cm
Depth:
10 cm
Period:
Late 19th century
Style:
Romanticism
Country:
Russia
Material:
Сardboard, Oil
Condition:
Revive
Fair
Good
Very good
Like new

This work was created by an unknown artist influenced by the legacy of Konstantin Andreyevich Somov (1869–1939), a master of Russian Art Nouveau and Symbolism, and one of the founding members of the “World of Art” movement. Somov’s oeuvre is known for its refined eroticism, elegant staging, and nostalgic references to 18th-century France and Rococo culture.

The presented painting demonstrates key traits of Somov’s style: intimacy, sensual modeling, and decorative complexity. The composition balances the corporeality of the nude figure with the poetic atmosphere of a private, aristocratic interior. Every element — from fabric to furniture — supports the narrative of beauty, leisure, and inner contemplation.

Such works, executed in the Somov tradition, were especially appreciated by European collectors during the early 20th century, amid growing interest in Russian modernism. Today, they are valued as both artistic and cultural-historical testimonies to the spread of the “World of Art” aesthetic beyond Russia.

Excellent presentation. The painting is clean and intact. Minor signs of age on the frame and reverse. Museum-level framing.

The condition report is provided for informational purposes only.

It is not comprehensive and may not reflect all defects, restorations, alterations, or adaptations, as Antiqon does not perform professional conservation-level assessments. The information is based on a qualified, yet subjective, evaluation by our specialists.Before purchasing, we recommend consultation with an independent expert.Please also consult our Terms and conditions and Glossary A-Z, which contain important information on lot characteristics and sale conditions.

Somov Konstantin Andreevich
Konstantin Andreevich Somov (18 [30] November 1869, St. Petersburg - May 6, 1939, Paris) - Russian painter and graphic artist, master of portrait and landscape, illustrator, one of the founders of the society "World of Art" and the magazine of the same name. Full member of the Academy of Arts (1914). Konstantin was born into the family of the curator of the Hermitage, Andrei Ivanovich Somov. In 1879-1888 he studied at the K. May gymnasium together with A. Benois, V. Nouvel, D. Filosofov, with whom he later participated in the creation of the World of Art society. From September 1888 to March 1897 he studied at the St. Petersburg Academy of Arts: the main course - until 1892, then, from October 1894, classes in the workshop of I. Repin. In 1894 he took part in the exhibition of the Society of Russian Watercolors for the first time. In 1897 and 1898 he studied at the Académie Colarossi in Paris. Somov is known as a master of book graphics, who created illustrations for "Count Nulin" by A. Pushkin (1899), stories by N. Gogol "The Nose" and "Nevsky Prospect" (1901). He also owns the covers of K. Balmonts poetry collections “The Firebird. Svirel of the Slav ", V. Ivanov" Cor Ardens ", the title page of the book by A. Blok" Theater ", etc.In love with the 18th century, Somov mastered ancient techniques: for example, he used vellum paper, which was glued to soft textiles in order to change the movement of a pencil. Along with landscape and portrait painting and graphics, he worked in the field of small plastic arts: he made exquisite porcelain compositions "Count Nulin" (1899), "Lovers" (1905), etc.The first personal exhibition of paintings, sketches and drawings (162 works) was held in St. Petersburg in 1903; in Hamburg and Berlin in the same year 95 works were shown. In 1918, the publishing house of Golike and Vilborg (Petrograd) published the most famous and complete edition with erotic drawings-illustrations by Somov: "The Book of the Marquise" ("Le livre de la Marquise"), where the artist created not only all the design elements of the book, but also picked up texts in French, and in 1919 his jubilee solo, exhibition was held at the Tretyakov Gallery.In 1923 Somov left Russia for America as an authorized representative of the Russian Exhibition; in January 1924, at an exhibition in New York, Somov was presented with 38 works. He didn’t return to Russia. From 1925 he lived in France. For his friend (and executor) Mikhail Braikevich, in November-December 1934, he created four portraits of the heroine of the novel Dangerous Liaisons - this was his last work. Somov died suddenly on May 6, 1939 in Paris and was buried in the Sainte-Genevieve-des-Bois cemetery.
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