SILVER FRUIT BASKET WITH CHAMPLEVÉ ENAMEL  PAVEL OVCHINNIKOV FIRM, MOSCOW, 1892
SILVER FRUIT BASKET WITH CHAMPLEVÉ ENAMEL  PAVEL OVCHINNIKOV FIRM, MOSCOW, 1892
SILVER FRUIT BASKET WITH CHAMPLEVÉ ENAMEL  PAVEL OVCHINNIKOV FIRM, MOSCOW, 1892
SILVER FRUIT BASKET WITH CHAMPLEVÉ ENAMEL  PAVEL OVCHINNIKOV FIRM, MOSCOW, 1892
SILVER FRUIT BASKET WITH CHAMPLEVÉ ENAMEL  PAVEL OVCHINNIKOV FIRM, MOSCOW, 1892
SILVER FRUIT BASKET WITH CHAMPLEVÉ ENAMEL  PAVEL OVCHINNIKOV FIRM, MOSCOW, 1892
SILVER FRUIT BASKET WITH CHAMPLEVÉ ENAMEL  PAVEL OVCHINNIKOV FIRM, MOSCOW, 1892
SILVER FRUIT BASKET WITH CHAMPLEVÉ ENAMEL  PAVEL OVCHINNIKOV FIRM, MOSCOW, 1892
SILVER FRUIT BASKET WITH CHAMPLEVÉ ENAMEL  PAVEL OVCHINNIKOV FIRM, MOSCOW, 1892
SILVER FRUIT BASKET WITH CHAMPLEVÉ ENAMEL  PAVEL OVCHINNIKOV FIRM, MOSCOW, 1892
SILVER FRUIT BASKET WITH CHAMPLEVÉ ENAMEL  PAVEL OVCHINNIKOV FIRM, MOSCOW, 1892
SILVER FRUIT BASKET WITH CHAMPLEVÉ ENAMEL  PAVEL OVCHINNIKOV FIRM, MOSCOW, 1892
SILVER FRUIT BASKET WITH CHAMPLEVÉ ENAMEL  PAVEL OVCHINNIKOV FIRM, MOSCOW, 1892
SILVER FRUIT BASKET WITH CHAMPLEVÉ ENAMEL  PAVEL OVCHINNIKOV FIRM, MOSCOW, 1892

SILVER FRUIT BASKET WITH CHAMPLEVÉ ENAMEL PAVEL OVCHINNIKOV FIRM, MOSCOW, 1892

ID-ANTQ-16048
November 29, 2025 12:00 PM GMT+02:00
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3000 - 5000 EUR
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An oval silver fruit basket with a tall movable handle, created by the workshop of Pavel Ovchinnikov, Supplier to the Imperial Court. The body is encircled by an exquisite cobalt-blue frieze depicting stylised birds within an intricate Neo-Russian ornament, executed in the technique of champlevé enamel. The smooth silver handle is joined by spherical terminals, creating a harmonious and balanced composition.

Hallmarks: Firm’s mark beneath the double-headed eagle — “P. Ovchinnikov” (in a rectangular cartouche beneath the coat of arms); assay master’s mark “A.A” under the date “1892” — Moscow assay master Alexander Artemiev; state hallmark with the city arms of Moscow (St. George) and the silver standard “84”.

Dimensions: 26.6 × 21.6 cm, height without handle 5.6 cm, with handle 16.5 cm.
Weight: 514 g.
Condition: Good. Silver with even patina, enamels bright and intact. Minor traces of age and use to the interior surface.
Provenance: Private European collection.

Art:
russia
Height:
27 cm
Width:
21 cm
Depth:
6 cm
Period:
Late 19th century
Style:
Neo-Russian
Country:
Russia
Material:
Silver 84, Champlevé enamel, Gilding
Condition:
Revive
Fair
Good
Very good
Like new

The Moscow firm of Pavel Ovchinnikov (1851–1917) was one of the foremost jewellery houses of the Russian Empire, honoured with the title of Supplier to the Imperial Court. Ovchinnikov’s creations were distinguished by their technical mastery, refined design, and distinctive national style, symbolising the revival of Russian decorative traditions at the end of the 19th century.

This basket embodies the spirit of the Neo-Russian style, inspired by ancient Russian ornament and folk decorative art. The champlevé enamel technique allowed the craftsmen to achieve a remarkable depth of colour and precision of detail. The blue enamels framed by silver scrolls and stylised birds symbolise fertility, renewal, and spiritual rebirth — themes deeply rooted in Russian cultural symbolism.

During the 1890s, the Ovchinnikov firm participated in major international exhibitions (Paris 1889, Chicago 1893), presenting pieces that united national aesthetics with technical excellence. Comparable baskets and bowls with enamel ornamentation are preserved in the collections of the State Hermitage Museum, the Historical Museum, and the Fabergé Museum.

This basket represents a rare example of Ovchinnikov’s late production, when the Moscow silversmithing school reached its artistic peak, combining tradition, symbolism, and virtuoso craftsmanship.

Good condition. Silver with uniform patina; enamels vivid and undamaged. Minor surface wear consistent with age.

The condition report is provided for informational purposes only.

It is not comprehensive and may not reflect all defects, restorations, alterations, or adaptations, as Antiqon does not perform professional conservation-level assessments. The information is based on a qualified, yet subjective, evaluation by our specialists.Before purchasing, we recommend consultation with an independent expert.Please also consult our Terms and conditions and Glossary A-Z, which contain important information on lot characteristics and sale conditions.

Firm P.A.Ovchinnikov (1851 -1917)
The firm of Pavel Akimovich Ovchinnikov was one of the largest jewelry companies in Imperial Russia during the second half of the 19th and the early 20th century. Official Purveyor to the Court of His Imperial Majesty. Founded in 1851, the enterprise quickly became a flagship of Russian jewelry art, earning international acclaim for its exceptional gold and silver pieces adorned with enamel, niello, and engraving in the spirit of historicism and neo-Russian style. The Master’s Path: From Apprentice to Factory FounderPavel Akimovich Ovchinnikov was born into the family of a serf owned by Prince Volkonsky. As a boy, he demonstrated remarkable drawing skills and was sent to Moscow to apprentice for eight years in the gold and silversmith workshop of his brother Andrey Akimovich. After gaining his freedom and marrying in 1850, he invested his wife′s dowry of 1,000 rubles into starting his own business. In 1851, he opened a workshop that grew into a full-fledged factory by 1853.By 1854, the company’s annual turnover exceeded 1.5 million rubles. The factory’s output began reaching the Moscow elite and clergy. In 1865, the firm participated in national and international exhibitions, earning prestigious awards—gold and silver medals, the Legion of Honour (Paris, 1867), and the Iron Cross (Vienna, 1873). Purveyor to the Imperial Court In 1865, the firm was officially recognized as a purveyor to the Imperial Court, a title reaffirmed in 1881 and 1896. In 1873, a branch was opened in St. Petersburg, and in 1878, the company began supplying the household of Grand Duke Mikhail Nikolaevich. Ovchinnikov’s products were present in the major palaces of the empire and were exported across Europe and the East. Revolution in Enamel ArtOne of the firm’s greatest contributions was the development of artistic enamel. Ovchinnikov’s craftsmen were the first in Russia to use plique-à-jour enamel—a translucent technique requiring extreme skill. Enamel became not just decorative but a central artistic element. It was often combined with niello, engraving, carving, and gilding. At the 1872 Polytechnic Exhibition in Moscow, Ovchinnikov presented a service decorated with niello medallions depicting Moscow cityscapes and bright enamel ornamentation—a highlight of the event. Oriental Style and the ChinoiserieTrendOvchinnikov was among the first in Moscow to master Eastern stylistics, which became popular in late 19th-century Europe and Russia. In the spirit of chinoiserie, his workshop produced caskets, snuffboxes, and trays adorned with enamel lacquer, precious stones, and exotic motifs. This aesthetic appealed to aristocratic tastes and added to the firm’s international fame.Artistic CollaborationsPavel Akimovich worked closely with many leading artists, architects, and sculptors of his time. These included E. Lanceray, A. Zhukovsky, G. Hartmann, D. Chichagov, I. Monighetti, A. Zakharov, V. Borovsky, S. Komarov, and L. Dahl. Their designs were brought to life in silver, enamel, and gold—each object becoming a masterpiece of applied art. Jewelry School and Master TrainingIn 1875, Ovchinnikov founded a jewelry school for 130 gifted children. The school was awarded a silver medal at the 1882 All-Russian Exhibition and became a major source of talent for Russia’s jewelry industry. It played a crucial role in the development of professional art education. Flourishing and the End of an Era The firm′s peak came in the 1870s–1880s. After Pavel Ovchinnikov’s death in 1888, the business was managed by his sons. They carried on the tradition of enamel painting and showcased their innovative works at the 1900 Paris World′s Fair. The firm operated until 1917, when revolutionary events brought its story to a close. Legacy: Museum Collections Today, works by the firm “P.A. Ovchinnikov” are part of major museum collections around the world:State Hermitage Museum – icons, processional crosses, and enamel reliquaries;State Historical Museum – tea sets, cigarette cases, and objects in the historicist style;Moscow Kremlin Museums – chalices, kovshi, and ecclesiastical items;Museum of Decorative Arts, Moscow – examples of painted and plique-à-jour enamel;Victoria and Albert Museum, London – pieces in the Byzantine style;The Walters Art Museum, USA – enamel vases, bowls, and snuffboxes.
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