Russian, silver icon of the Archangel Raphael, painted and cloisonné enamels. Late 19th century.
Russian, silver icon of the Archangel Raphael, painted and cloisonné enamels. Late 19th century.
Russian, silver icon of the Archangel Raphael, painted and cloisonné enamels. Late 19th century.
Russian, silver icon of the Archangel Raphael, painted and cloisonné enamels. Late 19th century.
Russian, silver icon of the Archangel Raphael, painted and cloisonné enamels. Late 19th century.
Russian, silver icon of the Archangel Raphael, painted and cloisonné enamels. Late 19th century.
Russian, silver icon of the Archangel Raphael, painted and cloisonné enamels. Late 19th century.
Russian, silver icon of the Archangel Raphael, painted and cloisonné enamels. Late 19th century.
Russian, silver icon of the Archangel Raphael, painted and cloisonné enamels. Late 19th century.

Russian, silver icon of the Archangel Raphael, painted and cloisonné enamels. Late 19th century.

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Rare, Russian, silver icon of Archangel Raphael, painted, cloisonné and champlevé enamels. Probably a complex, private order, presumably executed by the factory master P. Ovchinnikov. Intimate and at the same time festive, the breastplate bears a half-length image of Archangel Raphilus with holy scripture in his hands. The gentle face and folds of the Archangel’s clothes are subtly depicted in the shimmering purity of silver, affirming the sacred purity and holiness of the heavenly powers. The high reliquary fields of the icon and its reverse side are decorated in accordance with the neo-Russian style of the 19th century - a triangular pattern alternating with foliage and a cross with Gothic curls around the flowers. The eyelet for the lace, on a turning loop, is also decorated with belts of cloisonné and champlevé enamel. A charming monument to Russian style and spiritual purity of pre-revolutionary Russia at the end of the 19th century. 6.2x3.8 cm. Weight: 54 g.
Art:
russia
Height:
6.2 cm
Width:
3.8 cm
Depth:
0.7 cm
Period:
At the turn of 19th -20th century
Style:
Neo-Russian
Country:
Russia
Material:
Silver, Cloisonne enamel, Enamel
Condition:
Revive
Fair
Good
Very good
Like new
Neo-Russian style.
The neo-Russian or pseudo-Russian style is part of the aesthetics of historicism and national identity of the 1815-1880s. It arose as an official position and an internal response of society to the victory of 1812. Concerned about all types of artistic creation, social and philosophical life of society. Determined the type of official architecture, private brick ward architecture, historical graphics and painting, the theme of decorative and applied art. The formation of the style is associated with the question of the originality of Russian history, developed by the Slavophiles. The main forms and techniques of decoration are borrowed from wooden architecture. Geometric definiteness and ethnographic fragmentation of the decor prevail. The style was especially popular in silver. Ladles, brothers, saltcellars in the form of thrones-towers, etc. expanded the range of Russian craftsmen of the second half of the 19th century. The neo-Russian style became a stable form of thought for most of the 19th century until the advent of modernity.
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