Russian Crystal & Ormolu Mounted Two-Light Lantern Chandelier.Russia, early 19th century.
Russian Crystal & Ormolu Mounted Two-Light Lantern Chandelier.Russia, early 19th century.
Russian Crystal & Ormolu Mounted Two-Light Lantern Chandelier.Russia, early 19th century.
Russian Crystal & Ormolu Mounted Two-Light Lantern Chandelier.Russia, early 19th century.
Russian Crystal & Ormolu Mounted Two-Light Lantern Chandelier.Russia, early 19th century.
Russian Crystal & Ormolu Mounted Two-Light Lantern Chandelier.Russia, early 19th century.
Russian Crystal & Ormolu Mounted Two-Light Lantern Chandelier.Russia, early 19th century.
Russian Crystal & Ormolu Mounted Two-Light Lantern Chandelier.Russia, early 19th century.
Russian Crystal & Ormolu Mounted Two-Light Lantern Chandelier.Russia, early 19th century.
Russian Crystal & Ormolu Mounted Two-Light Lantern Chandelier.Russia, early 19th century.

Russian Crystal & Ormolu Mounted Two-Light Lantern Chandelier.Russia, early 19th century.

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Russian large pendant two-light lantern (lantern) in the style of Louis XVI, with a bronze frame for mounting the main fasteners (metal belts) and decorative details (crystal pendants and details of the glass body of the chandelier). The lantern is equipped with two bronze heads for installing candles. The central part of the chandelier (a large cylindrical glass lantern) is fixed in a metal belt (rim). It is suspended on four chains from the upper mount of the lantern. The upper mount of the lantern is made of metal on which the glass dome of the lantern is fixed in the center, and the upper part of the mount is equipped with a hook for hanging the lantern from the ceiling. Along the perimeter, the chandelier is richly decorated with glass (crystal?) pendants mounted on metal belts (rims) and curved metal beams. The surfaces of the decorative belts are decorated with relief ornaments and gilded. In the lower part, the lantern has a glass bottom, which is fixed in the center with a decorative round piece, which is the completion of a vertical metal rod. The vertical metal rod in the upper part is attached to the upper mount of the lantern. Russia, early 19th century. Presumably the Imperial glass factory. Bronze, casting, forging, gilding. Colorless transparent glass, crystal glass. Height - 90 cm, diameter 55 cm.

Historical background: The Imperial Glass Factory is one of the oldest enterprises in Russia, specializing in the production of glass products mainly for the needs of the Russian imperial court, which at the end of the 19th century. became part of the Imperial Porcelain Factory.

Art:
russia
Height:
90 cm
Width:
55 cm
Depth:
55 cm
Period:
Early 19th century
Style:
Louis XVI
Country:
France
Material:
Bronze, glass
Condition:
Revive
Fair
Good
Very good
Like new
Russian Imperial Glass Factory.
The backstory of Imperial Glass began in the 1730s with a small production of the English merchant Elmsel on the Fontanka. He was charged with making products brought to the yard, as well as items for general sale. In 1755, by decree of the Senate, the production was transferred from the city to Yamburg, and later to the village of Nazyu near Shliselburg. In 1777, Catherine the Great donated the plant to Prince Potemkin, hoping for his care. This date is considered to be the time of foundation of the Imperial Glass Factory. Later, the Most Serene One transferred production to his estate Ozerki, and after the death of the prince in 1792, the plant was officially called the Imperial Glass Factory and passed into the jurisdiction of the Cabinet of His Imperial Majesty. The "Regulations on the Imperial Glass Factory" required the production of "art items to be presented to the Imperial Court and to be awarded to various persons and institutions on the highest behalf from the Cabinet of His Majesty." The plant also carried out private orders received through the shop of the Glass Factory, located in Quarenghi′s office on Nevsky Prospect and with the approval of His Majesty′s office. The factory regularly replenished the royal and grand ducal storerooms with crystal ware and gifts. The heyday of interior glass fell on the 1820s and is associated with trophy bronze and glass. Many famous architects have worked for the Glass Factory, including Voronikhin, Brenna and Rossi. By the end of the 19th century, the plant produced about 20,000 items per year. Participated in art and industrial exhibitions and was a landmark of St. Petersburg. The fashion for Art Nouveau glass gave the last splash in the production of artistic crystal at the Imperial Glass Factory. World war and crisis put an end to production. After a series of unsuccessful attempts to revive production, the plant was closed in 1917.
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