Russian silver spoon with a painted troika. V.I. Kangin. St. Petersburg 1899-1908.
Russian silver spoon with a painted troika. V.I. Kangin. St. Petersburg 1899-1908.
Russian silver spoon with a painted troika. V.I. Kangin. St. Petersburg 1899-1908.
Russian silver spoon with a painted troika. V.I. Kangin. St. Petersburg 1899-1908.
Russian silver spoon with a painted troika. V.I. Kangin. St. Petersburg 1899-1908.
Russian silver spoon with a painted troika. V.I. Kangin. St. Petersburg 1899-1908.
Russian silver spoon with a painted troika. V.I. Kangin. St. Petersburg 1899-1908.
Russian silver spoon with a painted troika. V.I. Kangin. St. Petersburg 1899-1908.
Russian silver spoon with a painted troika. V.I. Kangin. St. Petersburg 1899-1908.
Russian silver spoon with a painted troika. V.I. Kangin. St. Petersburg 1899-1908.
Russian silver spoon with a painted troika. V.I. Kangin. St. Petersburg 1899-1908.
Russian silver spoon with a painted troika. V.I. Kangin. St. Petersburg 1899-1908.

Russian silver spoon with a painted troika. V.I. Kangin. St. Petersburg 1899-1908.

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Russian silver spoon with a bright, painted composition on enamel - Troika. The handle of the spoon is made in the form of a tree trunk with the figure of a climbing bear at the top. Assay marks of St. Petersburg, 84 assay marks, 1899-1908. Silver, gilding, painted enamel. Master`s mark: VK. Kangin Vasily Ivanovich. The owner of the workshop of gold and silver products 1899 - 1908. Weight: 61 gr.
Art:
russia
Height:
20 cm
Width:
4.2 cm
Depth:
2 cm
Period:
At the turn of 19th -20th century
Style:
Neo-Russian
Country:
Russia, Moscow
Material:
Silver 84, Gilding, Enamel
Condition:
Revive
Fair
Good
Very good
Like new
Neo-Russian style.
The neo-Russian or pseudo-Russian style is part of the aesthetics of historicism and national identity of the 1815-1880s. It arose as an official position and an internal response of society to the victory of 1812. Concerned about all types of artistic creation, social and philosophical life of society. Determined the type of official architecture, private brick ward architecture, historical graphics and painting, the theme of decorative and applied art. The formation of the style is associated with the question of the originality of Russian history, developed by the Slavophiles. The main forms and techniques of decoration are borrowed from wooden architecture. Geometric definiteness and ethnographic fragmentation of the decor prevail. The style was especially popular in silver. Ladles, brothers, saltcellars in the form of thrones-towers, etc. expanded the range of Russian craftsmen of the second half of the 19th century. The neo-Russian style became a stable form of thought for most of the 19th century until the advent of modernity.
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