Mantel clock in Louis XV style
Mantel clock in Louis XV style
Mantel clock in Louis XV style
Mantel clock in Louis XV style
Mantel clock in Louis XV style
Mantel clock in Louis XV style

Mantel clock in Louis XV style

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Estimate
500 - 800 EUR
Current Bid
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Mantel clock in gilded bronze in Louis XV style, richly decorated with decorative elements with figures of playing Putti. Full of playful charm and lovely carelessness, the stylized tree trunk is complemented by crown and rocaille waves. Decorated with vine garlands and a whirlwind of root currencies and base vignettes, the plot revolves around carefree Putti playing with a kid that represents Bacchus. The clock keeps track of the time of happiness, instilling seriousness and sustainability in joy with this large trunk of the tree of life.

Manufactory stamp: Guiche Palais Royal 147.The watch is in working condition, a complete revision of the mechanism has been carried out.

Art:
europe
Height:
52 cm
Width:
39 cm
Depth:
20 cm
Period:
At the turn of 19th -20th century
Style:
Louis XV
Country:
France
Material:
Gold-plated metal
Condition:
Revive
Fair
Good
Very good
Like new
Louis XV style.
The Louis XV style is the French Rococo style, which is more related to decorative and applied art and, to a lesser extent, to architecture due to the atectonicity of its formal elements and the aesthetic limitation of themes, plots and motifs, associated mainly with the courtly art of painting. drawing, engraving, costume, furniture, fabrics and jewelry. Therefore, in contrast to the general concept of "Rococo", the name "Louis XV style" is often used to denote a range of themes, artists and their works directly related to the life of the royal court. In turn, the Rococo style, which originated in France at the court of King Louis, over time overcame territorial and chronological boundaries, having developed in Prussia, Saxony, Czech Republic and Russia (Elizabethan Rococo), in some cases, primarily in the French province, existed until at the end of the 18th century, and later, it was revived in the forms of Neo-Rococo in the 19th and even at the beginning of the 20th century.
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