Glass holder Drink for health. Israel Yeseevich Zakhoder. Russia, Moscow 1886.
Glass holder Drink for health. Israel Yeseevich Zakhoder. Russia, Moscow 1886.
Glass holder Drink for health. Israel Yeseevich Zakhoder. Russia, Moscow 1886.
Glass holder Drink for health. Israel Yeseevich Zakhoder. Russia, Moscow 1886.
Glass holder Drink for health. Israel Yeseevich Zakhoder. Russia, Moscow 1886.
Glass holder Drink for health. Israel Yeseevich Zakhoder. Russia, Moscow 1886.
Glass holder Drink for health. Israel Yeseevich Zakhoder. Russia, Moscow 1886.
Glass holder Drink for health. Israel Yeseevich Zakhoder. Russia, Moscow 1886.

Glass holder Drink for health. Israel Yeseevich Zakhoder. Russia, Moscow 1886.

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Silver glass holder with the engraved slogan Drink for health made in the old Russian style, with a saucer under the thumb and a wooden frame under the monogram.

Hallmarks: The name of the master of the letter IEZ - Israel Yeseevich Zakhoder , the hallmark of poorly read letters ? O numbers 1886, numbers 84, Moscow city hallmark George the Victorious on horseback to the right.

Silver weight: 128 gr. H-9cm.

Art:
russia
Height:
9 cm
Width:
11 cm
Depth:
8 cm
Period:
Late 19th century
Style:
Neo-Russian
Country:
Russia, Moscow
Material:
Silver 84
Condition:
Revive
Fair
Good
Very good
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Neo-Russian style.
The neo-Russian or pseudo-Russian style is part of the aesthetics of historicism and national identity of the 1815-1880s. It arose as an official position and an internal response of society to the victory of 1812. Concerned about all types of artistic creation, social and philosophical life of society. Determined the type of official architecture, private brick ward architecture, historical graphics and painting, the theme of decorative and applied art. The formation of the style is associated with the question of the originality of Russian history, developed by the Slavophiles. The main forms and techniques of decoration are borrowed from wooden architecture. Geometric definiteness and ethnographic fragmentation of the decor prevail. The style was especially popular in silver. Ladles, brothers, saltcellars in the form of thrones-towers, etc. expanded the range of Russian craftsmen of the second half of the 19th century. The neo-Russian style became a stable form of thought for most of the 19th century until the advent of modernity.
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