Miniature silver kovsh by Faberge with gilding and cloisonné enamel. Fyodor Rückert, Moscow, 1908-1917
Miniature silver kovsh by Faberge with gilding and cloisonné enamel. Fyodor Rückert, Moscow, 1908-1917
Miniature silver kovsh by Faberge with gilding and cloisonné enamel. Fyodor Rückert, Moscow, 1908-1917
Miniature silver kovsh by Faberge with gilding and cloisonné enamel. Fyodor Rückert, Moscow, 1908-1917
Miniature silver kovsh by Faberge with gilding and cloisonné enamel. Fyodor Rückert, Moscow, 1908-1917
Miniature silver kovsh by Faberge with gilding and cloisonné enamel. Fyodor Rückert, Moscow, 1908-1917
Miniature silver kovsh by Faberge with gilding and cloisonné enamel. Fyodor Rückert, Moscow, 1908-1917
Miniature silver kovsh by Faberge with gilding and cloisonné enamel. Fyodor Rückert, Moscow, 1908-1917
Miniature silver kovsh by Faberge with gilding and cloisonné enamel. Fyodor Rückert, Moscow, 1908-1917
Miniature silver kovsh by Faberge with gilding and cloisonné enamel. Fyodor Rückert, Moscow, 1908-1917
Miniature silver kovsh by Faberge with gilding and cloisonné enamel. Fyodor Rückert, Moscow, 1908-1917
Miniature silver kovsh by Faberge with gilding and cloisonné enamel. Fyodor Rückert, Moscow, 1908-1917
Miniature silver kovsh by Faberge with gilding and cloisonné enamel. Fyodor Rückert, Moscow, 1908-1917

Miniature silver kovsh by Faberge with gilding and cloisonné enamel. Fyodor Rückert, Moscow, 1908-1917

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This exquisite miniature silver kovsh, created in the workshop of Fyodor Rückert for the House of Faberge, embodies the highest mastery of the jewelry art. The round bowl with elegantly tapering sides and a pelta-shaped handle is decorated with polychrome cloisonné enamel with bright geometric motifs reflecting Russian Art Nouveau and national traditions. The original box with the Carl Fabergé hallmark and the Imperial Coat of Arms emphasizes the exceptional value of this masterpiece, created for the discerning audience of the early 20th century. Hallmarks: the mark of the Moscow Assay Office 1908-1917, the numbers 88, poorly legible letters FR in Latin, partially covered by the inscription C. Fabergé under the double-headed eagle, confirming the status of supplier to the imperial court. Size: length 3.8 cm, width 2.9 cm, height 0.7 cm. Weight: 10.54
Art:
russia
Height:
3.8 cm
Width:
2.9 cm
Depth:
0.7 cm
Period:
Early 20th century
Style:
Modern
Country:
Russia, Moscow
Material:
Silver 88, Cloisonné enamel, Gilding
Condition:
Revive
Fair
Good
Very good
Like new
Ruckert Friedrich Mauritz
Rückert Friedrich Moritz (Fedor Ivanovich) (1840 - 1917). Friedrich Moritz (Fedor Ivanovich) Rückert was born in Germany in 1840. Came to Russia at the age of 11-13. Subsequently, he did not receive Russian citizenship. He spent his youth under the patronage of Prince Galitsin, who brought him to Russia as an engraver. Fyodor Rückert worked with Carl Fabergé, it was he who performed all the enamel works of the jewelry company.In 1987, he signed a contract with the Faberge firm, the master collaborated with the Moscow branch of the Faberge firm. Rückert′s firm held a leading position among the masters of miniature painting on enamels, from which Faberge received most of the enamels in the Russian style. The date of the beginning of Rückert′s cooperation with Faberge - 1887 - can be determined by the cup in 1912, made for the 15th anniversary of cooperation. In the 1890s and at the beginning of the century, Rückert did many things for Ovchinnikov and Kurlyukov, and later for Marshak in Kiev. What exactly did he do for Faberge before 1903 - 1905? not entirely clear. Very few pieces of his early style with flowers, birds and animals in pastel colors bear the Faberge mark. Most of the things for Faberge were obviously made by him after 1908.From 1910 to 1917 Rückert was the owner of a silverware factory in Moscow (located on Vorontsovskaya Street) in his own house.The creativity of the masters of F. Rückert′s firm at the turn of the 19th-20th centuries significantly enriched the plasticity, language, and self-expression of Russian jewelry art. Showing a completely unique style, inherent to a greater extent to Ruckert, who can be called an innovator, both in technology and in the figurative-plastic presentation of his works.
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