Felix Ziem (1821-1911). View of Venice: Doge`s Palace and Piazzetta Columns.
Felix Ziem (1821-1911). View of Venice: Doge`s Palace and Piazzetta Columns.
Felix Ziem (1821-1911). View of Venice: Doge`s Palace and Piazzetta Columns.
Felix Ziem (1821-1911). View of Venice: Doge`s Palace and Piazzetta Columns.
Felix Ziem (1821-1911). View of Venice: Doge`s Palace and Piazzetta Columns.
Felix Ziem (1821-1911). View of Venice: Doge`s Palace and Piazzetta Columns.
Felix Ziem (1821-1911). View of Venice: Doge`s Palace and Piazzetta Columns.
Felix Ziem (1821-1911). View of Venice: Doge`s Palace and Piazzetta Columns.
Felix Ziem (1821-1911). View of Venice: Doge`s Palace and Piazzetta Columns.
Felix Ziem (1821-1911). View of Venice: Doge`s Palace and Piazzetta Columns.
Felix Ziem (1821-1911). View of Venice: Doge`s Palace and Piazzetta Columns.
Felix Ziem (1821-1911). View of Venice: Doge`s Palace and Piazzetta Columns.
Felix Ziem (1821-1911). View of Venice: Doge`s Palace and Piazzetta Columns.
Felix Ziem (1821-1911). View of Venice: Doge`s Palace and Piazzetta Columns.

Felix Ziem (1821-1911). View of Venice: Doge`s Palace and Piazzetta Columns.

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This impressive painting attributed to Felix Ziem (1821-1911) is an outstanding example of mastery and deep passion for architectural landscapes. The composition centers on the majestic Doge`s Palace, surrounded by architectural elements that are exquisitely decorative and in the typical Venetian style. In the foreground of the painting are the two iconic columns of the Piazzetta that lead to St. Mark`s Square. The eastern column is topped by a bronze statue of a winged lion, symbolizing St. Mark, the patron saint of the city. The western column is topped by a marble statue of St. Theodore, the founder of Venice. These architectural masterpieces highlight the cultural and historical wealth of Venice, being important elements of its unique urban landscape. The front of the painting attracts the viewer`s attention with a boat with seated passengers in bright clothes and a gondolier skillfully managing an oar, which emphasizes the liveliness and dynamism of the scene. The author, following the traditions of the Barbizon school, uses a bright palette and special attention to light, creating a contrast between the warm shades of the buildings and the deep blue sky. This technique not only conveys the architectural beauty, but also gives the painting expressiveness and atmosphere. This painting is one of a series of works created by the author after an inspiring trip to Venice, where every stroke and color conveys his admiration for this city. The painting demonstrates painting techniques that anticipate elements of impressionism, which makes it a valuable testimony to the artistic development of its time. The painting is enclosed in an exquisite gilded frame emphasizing the grandeur of this work. Dimensions of the painting: 55.5 cm x 38.5 cm. Canvas, oil.
Art:
europe
Height:
52 cm
Width:
71 cm
Depth:
10 cm
Period:
19th century
Style:
Impressionism
Country:
France
Material:
Canvas, oil
Condition:
Revive
Fair
Good
Very good
Like new
Félix-Francois Georges Philibert Ziem,
Félix-François Georges Philibert Ziem was a distinguished French painter who became known for his architectural and marine views in the style of the Barbizon school. He was born in Beaune, Côte-d′Or, Burgundy, France, to a mother who was a native of Burgundy and a father who was an immigrant from Croatia. As a young man, Ziem showed an interest in architecture, studying at the École des Beaux-Arts in Dijon and beginning a career as an architect. However, his passion for painting soon became his main occupation. Transition to painting and early career In 1839, Ziem moved to Marseille, where he began receiving informal painting lessons from Adolphe Monticelli. This work had a significant influence on his subsequent development as an artist. In 1841, his life changed after a trip to Italy, where he was struck by the beauty of Venice. The city became the inspiration for many of his works, and Ziem returned to Venice regularly until 1892. His paintings include not only Venetian scenes, but also still lifes, portraits, and landscapes of the various places he visited. Orientalist Motifs and International Recognition After a trip to the Ottoman Empire and Egypt in 1857-58, Ziem began to actively incorporate Orientalist motifs into his works. His works began to reflect a variety of cultural and geographical influences, including scenes from Constantinople, Egypt, Martigues, Cagnes-sur-Mer, and his native Burgundy. Ziem′s ​​commercial success was considerable, and he was recognized as one of the leading artists of his time. Exhibitions and Recognition Ziem′s ​​work was first presented at the Paris Salon in 1849. From then on, he regularly exhibited his works at this prestigious art event. In 1860, Ziem moved to Montmartre, a renowned artistic district in Paris, where he continued his creative work and provided financial support to struggling aspiring artists. Achievements and Awards Felix Ziem received high honors from the French government: in 1857, he was named a Knight of the Legion of Honor, and in 1878, he was awarded the title of Officer of the Order. These awards confirmed his significant contribution to art.Last Years and LegacyFelix-François Georges Philibert Ziem died on November 10, 1911, in Paris. He was buried in Père Lachaise Cemetery, one of the most famous cemeteries in France. Ziem′s ​​legacy lives on in his many paintings, which continue to delight viewers with their mastery and unique style.
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