Russian presentation silver kovsh in Modern style. Alexander Vyakeva. Faberge. Saint Petersburg, early 20th century
Russian presentation silver kovsh in Modern style. Alexander Vyakeva. Faberge. Saint Petersburg, early 20th century
Russian presentation silver kovsh in Modern style. Alexander Vyakeva. Faberge. Saint Petersburg, early 20th century
Russian presentation silver kovsh in Modern style. Alexander Vyakeva. Faberge. Saint Petersburg, early 20th century
Russian presentation silver kovsh in Modern style. Alexander Vyakeva. Faberge. Saint Petersburg, early 20th century
Russian presentation silver kovsh in Modern style. Alexander Vyakeva. Faberge. Saint Petersburg, early 20th century
Russian presentation silver kovsh in Modern style. Alexander Vyakeva. Faberge. Saint Petersburg, early 20th century
Russian presentation silver kovsh in Modern style. Alexander Vyakeva. Faberge. Saint Petersburg, early 20th century
Russian presentation silver kovsh in Modern style. Alexander Vyakeva. Faberge. Saint Petersburg, early 20th century
Russian presentation silver kovsh in Modern style. Alexander Vyakeva. Faberge. Saint Petersburg, early 20th century
Russian presentation silver kovsh in Modern style. Alexander Vyakeva. Faberge. Saint Petersburg, early 20th century
Russian presentation silver kovsh in Modern style. Alexander Vyakeva. Faberge. Saint Petersburg, early 20th century
Russian presentation silver kovsh in Modern style. Alexander Vyakeva. Faberge. Saint Petersburg, early 20th century
Russian presentation silver kovsh in Modern style. Alexander Vyakeva. Faberge. Saint Petersburg, early 20th century
Russian presentation silver kovsh in Modern style. Alexander Vyakeva. Faberge. Saint Petersburg, early 20th century
Russian presentation silver kovsh in Modern style. Alexander Vyakeva. Faberge. Saint Petersburg, early 20th century
Russian presentation silver kovsh in Modern style. Alexander Vyakeva. Faberge. Saint Petersburg, early 20th century
Russian presentation silver kovsh in Modern style. Alexander Vyakeva. Faberge. Saint Petersburg, early 20th century
Russian presentation silver kovsh in Modern style. Alexander Vyakeva. Faberge. Saint Petersburg, early 20th century
Russian presentation silver kovsh in Modern style. Alexander Vyakeva. Faberge. Saint Petersburg, early 20th century
Russian presentation silver kovsh in Modern style. Alexander Vyakeva. Faberge. Saint Petersburg, early 20th century
Russian presentation silver kovsh in Modern style. Alexander Vyakeva. Faberge. Saint Petersburg, early 20th century
Russian presentation silver kovsh in Modern style. Alexander Vyakeva. Faberge. Saint Petersburg, early 20th century
Russian presentation silver kovsh in Modern style. Alexander Vyakeva. Faberge. Saint Petersburg, early 20th century

Russian presentation silver kovsh in Modern style. Alexander Vyakeva. Faberge. Saint Petersburg, early 20th century

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A unique Russian silver kovsh in the Art Nouveau style, made at the beginning of the 20th century by the famous silversmith Alexander Vyakeva for the renowned firm of K. Faberge. The kovsh is distinguished by its exquisite form, reminiscent of an ancient Russian boat descended from the drawings of Ivan Bilibin, which gives it a characteristic historical and cultural shade inherent in the Art Nouveau period. Particular attention is drawn to the decorative elements located along the sides of the product, made in the form of shields, inlaid with natural Jasper cut cabochon, which give the kovsh a unique shine and elegance. The handle of the ladle is made in an intricate form imitating the stern and rudder of an ancient boat. Hallmarks: K. Faberge under a double-headed eagle - a hallmark indicating that the ladle belongs to the St. Petersburg branch of the jewelry firm of Karl Faberge, which was famous for its luxurious and refined products, the hallmark of the St. Petersburg Assay District used in the period from 1908 to 1917, consisting of the letter a, a woman`s head in a kokoshnik, turned to the right with the numbers 84 located in an oval shield. The master`s name with the initials in Latin AW corresponding to the hallmark of the famous silversmith Alexander Vyakev. Inventory number 18458 is an important element for identifying and recording products of the firm of K. Faberge. The presentation ladle is a magnificent example of the Russian jewelry tradition of the early twentieth century, combining art, history and high craftsmanship. It is a rare and valuable exhibit made for the famous Faberge firm. Dimensions: height 11 cm, width 13 cm, length 28 cm, weight - 625 grams.
Art:
russia
Height:
11 cm
Width:
28 cm
Depth:
13 cm
Period:
Early 20th century
Style:
Modern
Country:
Russia, St. Petersburg
Material:
Silver 84
Condition:
Revive
Fair
Good
Very good
Like new
Faberge (1872–1917)
FabergeFrance is considered to be the birthplace of the Faberge family. In 1800, Pierre Faberges grandfather Carl Faberge moved to Pernau, in Livonia (the Russian province of the Baltic), where he received Russian citizenship. In the following years, the son of Pierre Faberge, Gustav Faberge, an ambitious young jeweler, decided to move to St. Petersburg where he continued to engage in jewelry On May 30, 1846, Carl Faberge was born into the Faberge family, at that moment his father was already heading a successful business in which several craftsmen from Northern Europe and Germany worked. At the age of 18, Carl Faberge travels to Europe to learn jewelry craft from the best professionals of that time. Throughout his stay, he explores the decorative arts created by his predecessors, imbued with new ideas that will fuel him for the rest of his career. In 1872, Carl Faberge returned to St. Petersburg and joined his fathers business. In 1882, after the death of Gustav Faberge, Karl took over the management of the company. In a short time, Karl surpasses the achievements of his own father: in the same year he receives the official title of master of jewelry, and the exhibition in Moscow leads to the fact that the Emperor Alexander III notices Faberges talent, who soon elevates to the rank of court jeweler. At this time, Faberge received his first order from the monarch: the emperor orders Easter gift for his wife, Maria Feodorovna, an original gift of a piece of jewelry and of art - an Easter egg, which became the beginning of a series of Faberge Easter eggs that imperial family ordered yearly. The Empress was so fascinated by the gift that Fabergé was turned into a court jeweler, he received an order to make an egg every Easter ; the product had to be unique and contain some kind of surprise, that was the only condition. The next emperor, Nicholas II, kept this tradition, each spring giving, two eggs as a gift - one to Maria Feodorovna, his widowed mother, and the second to Alexandra Feodorovna, the new empress. The production of each egg took almost a year. As soon as the sketch was approved, a whole team of the firms jewelers took over the work, the names of some of them survived. The contribution of the master Mikhail Perkhin is especially great. Also important jewelers were August Holstrom, Henryk Wigstrom, Eric Collin. The series of imperial eggs had such fame and success that the Fabergé company made several products for private customers (15 are known). Among them, a series of seven eggs, presented by the gold miner Alexander Ferdinandovich Kelkh to his wife, stands apart. The rest of the famous eight Fabergé eggs were custom-made for Felix Yusupov, Emmanuel Nobel, the Rothschilds, the Duchess of Marlborough and unidentified individuals. They are not as luxurious as the imperial ones, and they are not unique, they often repeated already invented for royal family. Having received the patronage of the royal family and the title of “jeweler of His Imperial Majesty and jeweler of the Imperial Hermitage”, the Faberge firm became famous in Europe. Many relatives of the imperial family in Great Britain, Denmark, Greece and Bulgaria received items as gifts. In 1900, in Paris, Faberge received the title of "Master of the Paris Guild of Jewelers", and he was also awarded the Order of the Legion of Honor. The war of 1914 significantly undermines the financial affairs of the Faberge company. In 1917, after the beginning of the soviet revolution, the Faberge family completely stopped production and went to immigration to the city of Riga, then moved to Switzerland.Carl Faberge died in 1920 in Swiss city of Lausanne.
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