AN EXCEPTIONAL IMPERIAL RUSSIAN GOLD SNUFF BOX BY JOHANN WILHELM KEIBEL, ST PETERSBURG, 1822
AN EXCEPTIONAL IMPERIAL RUSSIAN GOLD SNUFF BOX BY JOHANN WILHELM KEIBEL, ST PETERSBURG, 1822
AN EXCEPTIONAL IMPERIAL RUSSIAN GOLD SNUFF BOX BY JOHANN WILHELM KEIBEL, ST PETERSBURG, 1822
AN EXCEPTIONAL IMPERIAL RUSSIAN GOLD SNUFF BOX BY JOHANN WILHELM KEIBEL, ST PETERSBURG, 1822
AN EXCEPTIONAL IMPERIAL RUSSIAN GOLD SNUFF BOX BY JOHANN WILHELM KEIBEL, ST PETERSBURG, 1822
AN EXCEPTIONAL IMPERIAL RUSSIAN GOLD SNUFF BOX BY JOHANN WILHELM KEIBEL, ST PETERSBURG, 1822
AN EXCEPTIONAL IMPERIAL RUSSIAN GOLD SNUFF BOX BY JOHANN WILHELM KEIBEL, ST PETERSBURG, 1822
AN EXCEPTIONAL IMPERIAL RUSSIAN GOLD SNUFF BOX BY JOHANN WILHELM KEIBEL, ST PETERSBURG, 1822
AN EXCEPTIONAL IMPERIAL RUSSIAN GOLD SNUFF BOX BY JOHANN WILHELM KEIBEL, ST PETERSBURG, 1822
AN EXCEPTIONAL IMPERIAL RUSSIAN GOLD SNUFF BOX BY JOHANN WILHELM KEIBEL, ST PETERSBURG, 1822
AN EXCEPTIONAL IMPERIAL RUSSIAN GOLD SNUFF BOX BY JOHANN WILHELM KEIBEL, ST PETERSBURG, 1822
AN EXCEPTIONAL IMPERIAL RUSSIAN GOLD SNUFF BOX BY JOHANN WILHELM KEIBEL, ST PETERSBURG, 1822
AN EXCEPTIONAL IMPERIAL RUSSIAN GOLD SNUFF BOX BY JOHANN WILHELM KEIBEL, ST PETERSBURG, 1822
AN EXCEPTIONAL IMPERIAL RUSSIAN GOLD SNUFF BOX BY JOHANN WILHELM KEIBEL, ST PETERSBURG, 1822
AN EXCEPTIONAL IMPERIAL RUSSIAN GOLD SNUFF BOX BY JOHANN WILHELM KEIBEL, ST PETERSBURG, 1822
AN EXCEPTIONAL IMPERIAL RUSSIAN GOLD SNUFF BOX BY JOHANN WILHELM KEIBEL, ST PETERSBURG, 1822

AN EXCEPTIONAL IMPERIAL RUSSIAN GOLD SNUFF BOX BY JOHANN WILHELM KEIBEL, ST PETERSBURG, 1822

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This outstanding snuff box, created in 1822 by court jeweller Johann Wilhelm Keibel (1788–1862), is a remarkable example of the highest artistic and technical craftsmanship of St Petersburg during the reigns of Emperors Alexander I and Nicholas I. As an official supplier to the Imperial Court, Keibel’s atelier became renowned for its refined forms, opulent decoration, and immaculate quality.Of rectangular form with rounded corners, the box features at its center a finely executed enamel miniature depicting an idyllic pastoral landscape: mountain peaks, a flowing river, peasants, and architectural structures, all rendered with exceptional detail. The miniature is framed by a raised border of floral garlands, grapevines, and neoclassical motifs, masterfully worked in three-color gold. The harmony of pink, green, and yellow gold enhances the composition’s elegance.The sides and reverse of the box are finely engine-turned within decorative borders, creating rhythmic reflections of light and depth. The interior is mirror-polished.

Marks: Full maker’s mark “KEIBEL” in Latin letters, St Petersburg city mark with date 1822, assayer’s mark “АЯ” (Alexander Ilyich Yashinov), and inventory number “447”.

Dimensions: Length: 10 cm | Width: 4 cm | Height: 1 cmWeight: 125 grams

Provenance: Sotheby’s, 4 June 1998, lot 56

Comparable Museum Examples: Similar works by Keibel are preserved in the permanent collections of the State Hermitage Museum and the Fabergé Museum in St Petersburg, where they are considered masterpieces of Imperial Russian decorative art.

Art:
russia
Height:
5.5 cm
Width:
7.8 cm
Depth:
1.8 cm
Period:
Early 19th century
Style:
Classicism
Country:
Russia, St. Petersburg
Material:
Gold, Enamel
Condition:
Revive
Fair
Good
Very good
Like new
The Keibel workshop was one of the most important jewellery firms of the 19th century, serving the Imperial Court of Russia from 1812 to 1910. Founded by the eminent master Johann Wilhelm Keibel (1788–1862), the workshop became renowned for the exceptional quality of its medals, crowns, orders, and jewellery. Among its best-known creations are the Small Imperial Crown (1826) and the Order of Saint Andrew (1830), which became symbols of Imperial prestige. For his outstanding craftsmanship and contributions to the art of jewellery, Keibel was granted the title of Court Jeweller in 1841, continuing to create exceptional pieces for Russian aristocracy and high-ranking officials.
The item is in exceptional condition, consistent with museum standards. The enamel miniature is perfectly preserved, with no cracks, restorations, or paint loss, retaining full colour depth and artistic detail. The gold surface shows only minimal signs of natural aging, typical for early 19th-century items. The decorative three-colour gold elements are entirely preserved—free of wear or distortion. The guilloché background is crisp, with no interruptions in the pattern. The interior is mirror-polished.All hallmarks are sharp and easily legible, including the signature KEIBEL, the St Petersburg city mark dated 1822, the assay mark АЯ (Alexander Yashinov), and inventory number 447.The piece has not undergone any later modifications or alterations. Fully authentic.
Johann Wilhelm Keibel (1788– 1862)
Johann Wilhelm Keibel, son of Otto Samuel Keibel, was born on May 30, 1788 in Pasewalka, and died in St. Petersburg on May 25, 1862, five days before his seventy-fourth birthday. He came to the capital of the Russian Empire in 1797 with his father Keibel Otto-Samuel, where he immediately entered a goldsmith and jeweler in a foreign workshop. Otto-Samuel quickly gains wealth, and at the same time the respect of his colleagues in the profession, which only ten years later they elected him as the shop head-alderman (in Anglo-Saxon "Eldorman", that is, senior). Upon arrival in St. Petersburg, the young jeweler was lucky he was recommended to Tsarevna Maria Feodorovna, who, in turn, began to place orders for jewelry making.The unexpected death of his father on April 15, 1809 was a real tragedy for Johann-Wilhelm. Johann Wilhelm, although he came of age, did not manage to get the status of a master and for two years marked the finished things with the stigma of his father. Only in 1812, Johann-Wilhelm Keibel received the status of a jeweler, as well as gold and silversmiths of the St. Petersburg foreign workshop. His father taught him so well that the products made by Keibel Jr. immediately begin to be appreciated as once the work of his father. Keibel Jr. made an excellent career in which the master was helped by a personal acquaintance with the august persons, which began since the time of his father. Johann-Wilhelm Keibel, having inherited his parent′s workshop, which had been housed for a long time in his own house in Gusev Lane, quickly established himself as an excellent specialist, mastering the secrets of working not only with precious stones and gold, but also with silver, and then with platinum. The successful career of Johann Wilhelm Keibel began under Alexander I, but the real star of the jeweler rose under Nicholas I. By that time, the master in law from 1825 to 1828 held an elective position, first as assistant headman, and then head of the shop. On March 31, 1841, for his successful work, he was awarded the title of "Court goldsmith" and permission to place the image of the state coat of arms on signs and products, and in 1859 he received the Order of St. Stanislaus, 3rd degree and the title of hereditary honorary citizen, which passed to his descendants ... Johann-Wilhelm Keibel died on May 25, 1862, his descendants successfully continued the family business, transforming the workshop into a factory that existed back in 1910.Johann Wilhelm Keibel (1788-1862), was considered one of the best jewelers of the Imperial Court. It was Johann Wilhelm Keibel who in 1826 made the small Imperial crown, which Empress Alexandra Feodorovna married to the kingdom, and in 1855 he made the funeral crown of Nicholas I.
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