Salt shaker. Akimov V. Tsarist Russia, Moscow 1880.
Salt shaker. Akimov V. Tsarist Russia, Moscow 1880.
Salt shaker. Akimov V. Tsarist Russia, Moscow 1880.
Salt shaker. Akimov V. Tsarist Russia, Moscow 1880.
Salt shaker. Akimov V. Tsarist Russia, Moscow 1880.
Salt shaker. Akimov V. Tsarist Russia, Moscow 1880.

Salt shaker. Akimov V. Tsarist Russia, Moscow 1880.

ID-ANTQ-2731
May 19, 2024 12:00 PM GMT+03:00
Live auction is finished
Estimate
20 - 30 EUR
Lot Sold
 
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Silver salt shaker.

Dimensions: Salt shaker Diameter Ø - 5.5 cm, Height 3.5 cm.

Total Weight: 39 gr.

Hallmarks: Name of the master "VA" Akimov V. - silversmith, 2nd half. XIX century. In 1860 he had 10 apprentices and 5 apprentices. Literature: Postnikova-Losev: stamp number 711.

Moscow District Assay Office, which shows: the figure "84", certifying the sample of silver; "The Moscow coat of arms - George the Victorious on horseback, striking a dragon with a spear, turned to the left - is a sign of the state certificate corresponding to the 1880s.

Art:
russia
Height:
3.5 cm
Width:
5.5 cm
Depth:
5.5 cm
Period:
Late 19th century
Style:
Eclecticism
Country:
Russia, Moscow
Material:
Silver 84
Condition:
Revive
Fair
Good
Very good
Like new

The condition report is provided for informational purposes only.

It is not comprehensive and may not reflect all defects, restorations, alterations, or adaptations, as Antiqon does not perform professional conservation-level assessments. The information is based on a qualified, yet subjective, evaluation by our specialists.Before purchasing, we recommend consultation with an independent expert.Please also consult our Terms and conditions and Glossary A-Z, which contain important information on lot characteristics and sale conditions.

Eclecticism. Historicism.
Eclecticism or Historicism is an era of historical quotations, where the slogan "Smart Choice" meant the selectivity of the best and the most appropriate for a specific case and task. Has consistently survived (with national variations): Neo-Greek, Neo-Gothic. Second Baroque. Pompeian style, Ottoman style, Neo-Romance, Neo-Renaissance, Neo-Byzantine and in particular Neo-Russian styles; and ends with a distinctive fusion of the time of Napoleon III. As a rule, it assumes a basic consistency of the classicist basis and baroque decor. Works with measure and proportions of styles in one piece. Offers a finely aged cocktail of various ingredients. Got a vivid embodiment in architecture, furniture and arts and crafts, and in the interior.
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