SALERON DE MARIAGE POUR LE KARAVAÏ, MAISON P.A. OVCHINNIKOV RUSSIE, MOSCOU, 1874
SALERON DE MARIAGE POUR LE KARAVAÏ, MAISON P.A. OVCHINNIKOV RUSSIE, MOSCOU, 1874
SALERON DE MARIAGE POUR LE KARAVAÏ, MAISON P.A. OVCHINNIKOV RUSSIE, MOSCOU, 1874
SALERON DE MARIAGE POUR LE KARAVAÏ, MAISON P.A. OVCHINNIKOV RUSSIE, MOSCOU, 1874
SALERON DE MARIAGE POUR LE KARAVAÏ, MAISON P.A. OVCHINNIKOV RUSSIE, MOSCOU, 1874
SALERON DE MARIAGE POUR LE KARAVAÏ, MAISON P.A. OVCHINNIKOV RUSSIE, MOSCOU, 1874
SALERON DE MARIAGE POUR LE KARAVAÏ, MAISON P.A. OVCHINNIKOV RUSSIE, MOSCOU, 1874
SALERON DE MARIAGE POUR LE KARAVAÏ, MAISON P.A. OVCHINNIKOV RUSSIE, MOSCOU, 1874
SALERON DE MARIAGE POUR LE KARAVAÏ, MAISON P.A. OVCHINNIKOV RUSSIE, MOSCOU, 1874
SALERON DE MARIAGE POUR LE KARAVAÏ, MAISON P.A. OVCHINNIKOV RUSSIE, MOSCOU, 1874
SALERON DE MARIAGE POUR LE KARAVAÏ, MAISON P.A. OVCHINNIKOV RUSSIE, MOSCOU, 1874
SALERON DE MARIAGE POUR LE KARAVAÏ, MAISON P.A. OVCHINNIKOV RUSSIE, MOSCOU, 1874
SALERON DE MARIAGE POUR LE KARAVAÏ, MAISON P.A. OVCHINNIKOV RUSSIE, MOSCOU, 1874
SALERON DE MARIAGE POUR LE KARAVAÏ, MAISON P.A. OVCHINNIKOV RUSSIE, MOSCOU, 1874
SALERON DE MARIAGE POUR LE KARAVAÏ, MAISON P.A. OVCHINNIKOV RUSSIE, MOSCOU, 1874
SALERON DE MARIAGE POUR LE KARAVAÏ, MAISON P.A. OVCHINNIKOV RUSSIE, MOSCOU, 1874

SALERON DE MARIAGE POUR LE KARAVAÏ, MAISON P.A. OVCHINNIKOV RUSSIE, MOSCOU, 1874

ID-ANTQ-5276
5000 EUR
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Saleron de mariage en argent pour le karavaï cérémoniel, réalisé dans la manufacture de Pavel Akimovitch Ovchinnikov à Moscou en 1874. Cette pièce constitue un attribut indispensable du rite traditionnel du pain et du sel, symbole d’hospitalité, de prospérité et de bénédiction sincère accordée à la nouvelle famille. Dans son traitement plastique, le saleron est conçu comme une jupe-nappe stylisée aux plis souples et descendants, évoquant l’effet d’un tissu drapé.

La surface est ornée de rosettes florales ciselées et de motifs végétaux stylisés disposés selon un programme ornemental rythmé. Le bord inférieur est souligné par une frise festonnée composée d’éléments circulaires répétitifs. Une chaîne en argent, élégamment posée sur la surface du « tissu », apporte un accent décoratif supplémentaire.

La coupe supérieure amovible est décorée d’une bande d’émail champlevé dans la palette traditionnelle de bleus, bleu clair et verts propre à l’école de Moscou. Un médaillon central quadrilobé est harmonieusement intégré à la composition, reliant visuellement la bande émaillée au corps de l’objet. L’intérieur de la coupe est doré, soulignant le caractère cérémoniel de la pièce et correspondant à la tradition des objets rituels en argent.

Le haut niveau artistique de la ciselure, la précision du dessin ornemental et la qualité de l’émail témoignent du travail de maîtres de premier ordre de la maison Ovchinnikov à l’époque de son apogée.

Poinçons: Poinçon complet de la maison sous l’aigle bicéphale « P. Ovchinnikov »; petit poinçon ovale « P.O. »; poinçon d’essai de la ville de Moscou pour l’année 1874; initiales du maître essayeur « V.S. » avec la date « 1874 »; titre d’argent « 84 » sur la face extérieure.

Dimensions: Hauteur env. 9 cm; diamètre de la base env. 14 cm.

Poids: 208 g.

État: Bon.

Art:
russia
Hauteur:
6 cm
Largeur:
13 cm
Épaisseur:
13 cm
Période:
19Ème Siècle
Style:
Neorussian
Pays:
Russie, Moscou
Matière:
Argent 84, Émail Cloisonne
Gifts:
Other
État:
Revive
Fair
Good
Very good
Like new

The condition report is provided for informational purposes only.

It is not comprehensive and may not reflect all defects, restorations, alterations, or adaptations, as Antiqon does not perform professional conservation-level assessments. The information is based on a qualified, yet subjective, evaluation by our specialists.Before purchasing, we recommend consultation with an independent expert.Please also consult our Terms and conditions and Glossary A-Z, which contain important information on lot characteristics and sale conditions.

Firm P.A.Ovchinnikov (1851 -1917)
The firm of Pavel Akimovich Ovchinnikov was one of the largest jewelry companies in Imperial Russia during the second half of the 19th and the early 20th century. Official Purveyor to the Court of His Imperial Majesty. Founded in 1851, the enterprise quickly became a flagship of Russian jewelry art, earning international acclaim for its exceptional gold and silver pieces adorned with enamel, niello, and engraving in the spirit of historicism and neo-Russian style. The Master’s Path: From Apprentice to Factory FounderPavel Akimovich Ovchinnikov was born into the family of a serf owned by Prince Volkonsky. As a boy, he demonstrated remarkable drawing skills and was sent to Moscow to apprentice for eight years in the gold and silversmith workshop of his brother Andrey Akimovich. After gaining his freedom and marrying in 1850, he invested his wife′s dowry of 1,000 rubles into starting his own business. In 1851, he opened a workshop that grew into a full-fledged factory by 1853.By 1854, the company’s annual turnover exceeded 1.5 million rubles. The factory’s output began reaching the Moscow elite and clergy. In 1865, the firm participated in national and international exhibitions, earning prestigious awards—gold and silver medals, the Legion of Honour (Paris, 1867), and the Iron Cross (Vienna, 1873). Purveyor to the Imperial Court In 1865, the firm was officially recognized as a purveyor to the Imperial Court, a title reaffirmed in 1881 and 1896. In 1873, a branch was opened in St. Petersburg, and in 1878, the company began supplying the household of Grand Duke Mikhail Nikolaevich. Ovchinnikov’s products were present in the major palaces of the empire and were exported across Europe and the East. Revolution in Enamel ArtOne of the firm’s greatest contributions was the development of artistic enamel. Ovchinnikov’s craftsmen were the first in Russia to use plique-à-jour enamel—a translucent technique requiring extreme skill. Enamel became not just decorative but a central artistic element. It was often combined with niello, engraving, carving, and gilding. At the 1872 Polytechnic Exhibition in Moscow, Ovchinnikov presented a service decorated with niello medallions depicting Moscow cityscapes and bright enamel ornamentation—a highlight of the event. Oriental Style and the ChinoiserieTrendOvchinnikov was among the first in Moscow to master Eastern stylistics, which became popular in late 19th-century Europe and Russia. In the spirit of chinoiserie, his workshop produced caskets, snuffboxes, and trays adorned with enamel lacquer, precious stones, and exotic motifs. This aesthetic appealed to aristocratic tastes and added to the firm’s international fame.Artistic CollaborationsPavel Akimovich worked closely with many leading artists, architects, and sculptors of his time. These included E. Lanceray, A. Zhukovsky, G. Hartmann, D. Chichagov, I. Monighetti, A. Zakharov, V. Borovsky, S. Komarov, and L. Dahl. Their designs were brought to life in silver, enamel, and gold—each object becoming a masterpiece of applied art. Jewelry School and Master TrainingIn 1875, Ovchinnikov founded a jewelry school for 130 gifted children. The school was awarded a silver medal at the 1882 All-Russian Exhibition and became a major source of talent for Russia’s jewelry industry. It played a crucial role in the development of professional art education. Flourishing and the End of an Era The firm′s peak came in the 1870s–1880s. After Pavel Ovchinnikov’s death in 1888, the business was managed by his sons. They carried on the tradition of enamel painting and showcased their innovative works at the 1900 Paris World′s Fair. The firm operated until 1917, when revolutionary events brought its story to a close. Legacy: Museum Collections Today, works by the firm “P.A. Ovchinnikov” are part of major museum collections around the world:State Hermitage Museum – icons, processional crosses, and enamel reliquaries;State Historical Museum – tea sets, cigarette cases, and objects in the historicist style;Moscow Kremlin Museums – chalices, kovshi, and ecclesiastical items;Museum of Decorative Arts, Moscow – examples of painted and plique-à-jour enamel;Victoria and Albert Museum, London – pieces in the Byzantine style;The Walters Art Museum, USA – enamel vases, bowls, and snuffboxes.
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